A socially awkward home-schooled kid forces his way into public-school against his suffocating but loving mother’s wishes.
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Personal shopper Gwen’s newest client, Charlie, is a high-rolling, workaholic, single father. When Gwen meets his 8-year-old son, Owen, during a package drop, she is saddened to see just how little time Charlie spends with him. Determined to get Charlie to appreciate his family, Gwen makes it her Christmas mission to get him into the festive spirit.
After losing her husband Bradley three years ago on Christmas Day, Celia Banks never thought she’d fall in love again. Now, her entire world revolves around taking care of her daughter, Lilly. Lilly writes a letter to Santa with one wish – for her mommy to be happy and find love again.
Ji-hyuk is an expert safe-cracker who lives the highlife stealing antiques and jewelry with his team. CHO, a powerful and cruel gang boss threatens them to steal $150 million with him. Ji-hyuk plans to get revenge on CHO, but ends up falling into his trap. However, CHO later realizes it was all part of Ji-hyuk’s scheme. When Ji-hyuk, who was thought dead, reappears, hidden secret relations between the technicians also surface.
After the unexpected death of his best friend, a man examines his life and finds it incredibly lonely. Inspired by an encounter with a beautiful and sexy model, he embarks with his three friends on what turns out to be a crazy (and slightly stupid) endeavor on a path towards fulfillment.
Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound (Vivaldi, Bach, Wagner), and is an interpretation of the particular aria.
A decade and a half after their seminal indie film launched meteoric filmmaking careers, Splick and Jason find themselves staring at their own individual, pre-midlife crises. Having not spoken to one another since a late-nineties falling out, they’re each grappling with the challenges of stalled careers and relationships, as the hands of time creep ominously past forty-o’clock. Splick’s most recent TV show, centered around his character’s perverse relationship with dessert foods, is unceremoniously cancelled by the network, forcing a return to his childhood bedroom at his mother’s apartment in New York. Frustrated by a barrage of comments about the “good,” “funny,” movies he used to make with his old partner, Jason, Splick determines to seek him out and attempt a reunion.
With his boss in the madhouse, a mobster is temporary boss of the criminal empire just as vicious rivals threaten the control of the empire.
An “Airplane!”-style spoof of hospital soap operas: a brilliant young trainee can’t stand the sight of blood; a doctor romances the head nurse in order to get the key to the drugs cabinet; there’s a mafioso on the loose disguised as a woman – in other words all the usual ingredients present and correct, though in this case the laughs are intentional.
Top student Jane Ryan heads to Manhattan for a college-scholarship competition. Her rebellious twin Roxy Ryan goes along to crash a video shoot. But anything can happen – and does – in a romp involving a pursuing truant officer, a smuggler, hunkalicious guys and the girls’ realization that when the chips are down, a sister can be the best friend of all.
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