Advanced Style examines the lives of seven unique New Yorkers whose eclectic personal style and vital spirit have guided their approach to aging. Based on Ari Seth Cohen’s famed blog of the same name, this film paints intimate and colorful portraits of independent, stylish women aged 62 to 95 who are challenging conventional ideas about beauty, aging, and Western’s culture’s increasing obsession with youth.
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To test its top-secret Human Hibernation Project, the Pentagon picks the most average Americans it can find – an Army private and a prostitute – and sends them to the year 2505 after a series of freak events. But when they arrive, they find a civilization so dumbed-down that they’re the smartest people around.
‘I Used to be Normal – A Boyband Fangirl Story’ is the surprising coming of age story of four diverse women who have had their lives dramatically changed by their love of a boyband – Backstreet Boys, One Direction, Take That and The Beatles.
The film is about the life of Aung San Suu Kyi (Yeoh) who spent more than a decade under house arrest. David Thewlis portrays Suu Kyi’s husband, Dr. Michael Aris. Rebecca Frayn began working on the project after she and her husband, producer Andy Harries, visited Burma in the early 1990s.Harries’ production company Left Bank Pictures began development of the script in 2008 under the working title Freedom from Fear. Harries wanted Michelle Yeoh as the lead and had the script sent to her.
Two years after the events of “Change Your Mind”, Steven (now 16 years old) and his friends are ready to enjoy the rest of their lives peacefully. However, all of that changes when a new sinister Gem arrives, armed with a giant drill that saps the life force of all living things on Earth. In their biggest challenge ever, the Crystal Gems must work together to save all organic life on Earth within 48 hours.
Revolves around Castro, who was once a very famous TV host, but as he grows old, his popularity is dwindling.
Alma is a scientist at Berlin’s famous Pergamon Museum. In order to obtain research funds for her studies, she accepts an offer to participate in an extraordinary experiment. For three weeks, she must live with a humanoid robot with artificial intelligence designed to allow it to morph into that of her ideal life partner. Enter Tom, a machine in human form, created to make her happy.
The true, harrowing story of a young Jewish girl who, with her family and their friends, is forced into hiding in an attic in Nazi-occupied Amsterdam.
After the 1860s Wild West, a group of misfit settlers – including ex-doctor Phil Taylor, prostitute Belle, and homosexual bookseller Julian – decide they cannot live in their current situation in the west. They hire a grizzled alcoholic wagon master by the name of James Harlow to take them on a journey back to their hometowns in the East.
The Independent is a mockumentary comedy film made in 2000, directed by Stephen Kessler, starring Jerry Stiller as an independent film maker, who makes little-known B movies with titles like Twelve Angry Men and a Baby. The film spoofs independent directors and independent film. The film features Janeane Garofalo, Max Perlich, and cameos by Anne Meara, Ron Howard, Roger Corman, Peter Bogdanovich, John Lydon, Ben Stiller, Andy Dick, Fred Dryer, Jonathan Katz, Fred Williamson, Karen Black, Nick Cassavetes, Julie Strain and adult film actress Ginger Lynn. The fictional career of Morty Fineman (Stiller) is said to have made 427 films. It is not specified as to whether he directed them all, or if it refers to films produced or written by the Fineman character.
Blondie and Dagwood are about to celebrate their fifth wedding anniversary but this happy occasion is marred when the bumbling Dagwood gets himself involved in a scheme that is promising financial ruin for the Bumstead family. Camping on the porch of the Poor House would become the most-used prevalent plot line in the 27 series-films that followed. It was also an issue in the comic-strip for about a year after its inception when it was basically a continuity strip but, aside from Dagwood’s inability to coax a pay-raise from Mr. Dithers over the years, the financial status of the family was seldom an issue when the format switched to a gag-a-day strip.
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