How would you feel about carrying your home in your pocket or having clothes to live in? For most of us, “house” means stability, structure, and permanence. In an age of increasing population and technological gains, today’s mobile society has resulted in a demand, or perhaps a dream, for portable dwellings and dwellings in new settings and situations.
Microtopia explores how architects, artists and ordinary problem-solvers are pushing the limits to find answers to their dreams of portability, flexibility – and of creating independence from “the grid”. Modern nomads, homeless people, people in stress, people in need of privacy or seclusion. We hear about the personal reasons behind the dwellings, and to see how they actually work. On the sidewalk, on rooftops, in industrial landscapes and in nature we will see and feel how these abodes meet the dreams set up by their creators. Microtopia deals with a contemporary urgent ideas that are addressed, and solved, in a very surprising way.

The Day the ’60s Died chronicles May 1970, the month in which four students were shot dead at Kent State. The mayhem that followed has been called the most divisive moment in American history since the Civil War. From college campuses, to the jungles of Cambodia, to the Nixon White House, the film takes us back into that turbulent spring 45 years ago.

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The Journey of a winemaker trying to find success in the napa valley

Augusto and Paulina have been together for 25 years. Eight years ago, he was diagnosed with Alzheimer’s disease. Both fear the day he no longer recognizes her.

The story begins with the AMA’s attack on their non-drug providing rivals, the chiropractic profession. Interviews and historical footage expose the AMA’s clandestine campaign to eliminate chiropractic services, which culminates in a 15 year legal battle known as the Wilk case. This story, and the following stories of patients seeking or forced into alternative treatments, act as ‘a small doorway into a large room’.

Three teenagers battle their way through the world of competitive ping pong with their hearts set on the Olympics.

The film chronicles Nina Simone’s journey from child piano prodigy to iconic musician and passionate activist, told in her own words.

Kim lives with his dad, sells weed to skaters, writes poetry, and snorts painkillers to get through the day. One evening, while strolling through the subdivision painted up as his alter ego Shadow Zombie, Kim catches the eye of a registered nurse and part-time clown Brandi. What follows is a brief romance marked by destruction by the very real phantoms emanating from Kim’s dead-end present and Brandi’s traumatic past. Shooting under near-documentary conditions in and around Lafayette, Louisiana, Jorge Torres-Torres operates peopling his film with a coterie of genuine Acadiana misfits. The merciless and at times unexpectedly poignant observation of Kim’s world dares to see through to the human core of a drug addict or clinically depressed clown.

Louis stays with the residents of a soon to open brothel in Nevada for a few weeks.

A look at abductions in the New England area

Cult leader Warren Jeffs rises to power in the polygamist Mormon sect once headed by his late father, but some of his wives fight back to bring him to justice. Based on a true story.