The story of New Zealander, Bruce McLaren, who founded the McLaren Motor Racing team, showing the world that a man of humble beginnings could take on the elite of motor racing and win.

Öllers and Niederländer have everything under control. For the past six years, the two successful business consultants have been traveling through some of the seediest countries around the world in order to satisfy their clients greed. They have achieved almost everything, but there is one career move left: to finally become a partner in the company! When they find out that their team colleague Hellinger made the cut, they are at their wits end. Up or Out is the name of the game. The fact that Hellinger falls from an office window for no explainable reason doesnt seem to help the situation. Of all people, the young and ambitious Bianca steps in for Hellinger. Öllers and Niederländer are irritated, sarcasm spreads, neuroses break out. The fight for survival within the company takes its toll the AGE OF CANNIBALS dawns.

Parikka, the actor once called the Funniest Man in Finland, and his troupe are about to be executed for the atrocities committed during the Civil War in Finland. Jaeger Lieutenant Nyborg, an admirer of Parikka, suspects a definite miscarriage of justice. He wants to save the actors. The forthcoming visit of the German General von der Goltz to the prison island provides him with a suitable opportunity. Nyborg suggests that the actors prepare a comical performance for the visitor and not be shot. Instead, they will be given a new trial. Preparing a comedy in the horrible circumstances, in the midst of hunger and death, seems quite an overwhelming task. Only a handful of real actors are still alive, the rest of the troupe consists of stagehands. Parikka has to use all his inventive skills to be able to produce something funny.

Former FBI Agent Will Graham, who was once almost killed by the savage Hannibal ‘The Cannibal’ Lecter, now has no choice but to face him again, as it seems Lecter is the only one who can help Graham track down a new serial killer.

Four boyhood friends return to New Orleans’ Lower Ninth Ward after Hurricane Katrina, to find their home decimated and prospects for work swept away. Turning to a local gangster for employment, the crew is hired to pull off a daring casino heist, right in the heart of the city.

It’s time for everyone to help out as best they can in these three delightful Strawberry Shortcake episodes. It’s Strawberry to the rescue in “Babysitter Blues” when the princess asks her to look after a very special Baby Berrykin. Orange and Lemon take on the role of “Fashion Elves” in “A Stitch of Time” to help Raspberry with her fashion design dreams. And there’s no place like home when Orange adopts a bitty fish that turns out to be a homesick tadpole. Join in the sparkly fun as the girls learn that lending a helping hand can be a berry big deal indeed!

Doug and his pal Skeeter set’s out to find the monster of Lucky Duck Lake. Though things get really out of hand when some one blurts out that the monster is real.

In the darkest days of World War II, St. Peter’s was shrouded in the shadow of the swastika. But even as the Führer surrounded him, the Pope was plotting a secret counter-offensive. Wartime Pontiff Pius XII has been derided for his public silence about the Holocaust. But evidence suggests his silence may have been subterfuge.

During their travels from Chicago to New York, Harry and Sally Will debate whether or not sex ruins a perfect relationship between a man and a woman. Eleven years later, and they’re still no closer to finding the answer.

Celebrated filmmaker and photographer Cheryl Dunn turns her lens on the pioneers and masters of New York street photography. Dunn profiles artists spanning six decades, including Bruce Davidson, Mary Ellen Mark, Jill Freedman, Jeff Mermelstein and Martha Cooper, revealing that these shooters are as colourful and unique as the subjects they’ve relentlessly documented. Everybody Street explores the passion that compelled Freedman to spend years riding in squad cars during the most violent years in the city; Bruce Gilden’s drive to thrust his camera in people’s faces to capture a moment; and Martha Cooper’s dedication to chasing graffiti on passing subway cars in the Bronx. The film is a definitive look at the iconic visionaries of this often imitated art form.

A young, recently-released and unpredictable ex-con with bad luck, and a sexy, listless girl-next-door with a troubled family, become trapped in a downward spiral of crime and obsessive love, as they try to ditch their dead-end town for a better life.

Charts the headlong fall of Pinkie, a razor-wielding disadvantaged teenager with a religious death wish.