Jeong Yoon is a caring wife and mother and a sensitive woman who finds herself plunged into a legal ordeal thousands of miles from home. After years of planning, she and her husband Jong Bae open an auto body repair shop, only to see everything they’ve worked for stripped away when a loan Jong Bae had guaranteed defaults. Facing financial despondency, the couple gets into a vicious fight about money, sending Jeong Yeon away, leaving only a cryptic note saying she’ll be back in a few days. When she turns up looking nervous at Orly Airport in Paris with over 30 kilograms of cocaine in her luggage, it is the beginning of a globe-spanning nightmare that began with an old friend and a tempting proposition.
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A rebellious Goth girl embarks on a road trip across Texas with a suicidal young man in an effort to find her little sister.
A series of snapshots from the life of a fictional actress named Shirley serves to weave together thirteen paintings by Edward Hopper (e.g. “Office at Night”, “Western Motel”, “Usherette”, “A Woman in the Sun”) into a fascinating synthesis of painting and film, personal and political history. Each station in Shirley’s professional and private life from the 1930s to 1960s is precisely dated: It is always August 28/29 of the year in question, as the locations vary from Paris to New York to Cape Cod.
In this third installment of the ‘Pusher’ trilogy, we follow Milo (‘Zlatko Buric’), the drug lord from the two first films. He is aging, he is planning his daughter’s 25th birthday and his shipment of heroin turns out to be 10.000 pills of ecstasy. When Milo tries to sell the pills anyway, all Hell breaks loose and his only chance is to ask for help from his ex-henchman and old friend Radovan
Glen’s released from prison with expectations from Doo Breezy, with no success. Instead, he and childhood friend Staria take the streets by storm as friend Tee is murdered during a lucrative robbery. After Glenn’s assassination attempt, he decides to master the game, which leads to disloyalty and bloodshed.
Open war against humanity rages. For five survivors – lost and on the run – the pursuit is relentless, the bullets are dwindling and the battle is everywhere. This is a 24-hour look into their lives.
It’s San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society’s reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.
The first installment of this Emmy award-winning series. A movie based at Babylon 5: a new space station built by Humans. The Vorlon ambassador, Kosh, has been poisoned. It is the new commanding officer’s, Jeffrey Sinclair, responsibility to find the culprit. Otherwise the space station will fail in its role to bring all the races together.
A secluded fast food joint next to an empty parking lot, where it’s good to go, because nobody recognizes you there. On a rainy autumnal day, people show up one after the other – all of them on the verge of a breakdown – or perhaps a breakthrough? The main character, Waitress, sees and absorbs it all. One by one – through their personal drama – the clients push the Waitress towards her own edge.
A samurai answers a village’s request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food. A giant battle occurs when 40 bandits attack the village.
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