Dissolute barrister Sydney Carton becomes enchanted and then hopelessly in love with the beautiful Lucie Manette. But Lucie loves and marries Charles Darnay, and remains oblivious to Carton’s undimmed devotion to her. When Darnay is ensnared in the deadly web of the French Revolution and condemned to die by the guillotine, Sydney Carton concocts a dangerous plot to free the husband of the woman he loves.
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Based on a stranger than fiction true story, King Cobra is a deliciously dark, twisted plunge into the behind-the-scenes world of the pornography industry. A young Sean Paul Lockhart (using the stage name ‘Brent Corrigan’) is a fresh-faced wannabe adult video performer. He is moulded into a star by Stephen (aka Bryan Kocis), a closeted gay porn mogul who runs the skin flick empire Cobra Video from his seemingly ordinary suburban home. But as Brent’s rise and demands for money put him at odds with his boss, he also attracts the attention of a rival producer, Joseph Kerekes, and his unstable lover, Harlow Cuadra, who will stop at nothing to squash Cobra Video and steal its number one star.
Romain, 31, a photographer, learns that a malignancy may kill him within a few months. Decisions: treatment? work? how to tell his lover and his family. He remembers the sea and himself as a child. He stares in the mirror. He’s cruel: facing death, he pushes people away – what’s the point? He visits his grandmother to tell her; on the way, he chats briefly with a waitress. He looks at old photos, visits a childhood tree house. He takes pictures. Returning from his grandmother’s, he stops for food and sees the waitress, Jany, again. She makes a request. He returns to an empty flat – his lover has left. Can Jany’s proposition give him a way to move past self-pity?
An earnest life-coach/author, Thomas Carter, is mysteriously abducted by a deranged client, Angel Sanchez, who delves into Thomas’ teachings and uses his spiritual messages of Karma – action and reaction (Vipaka), against him to terrorize him and his family for their past sins.
A modern Cinderella in Paris: While the plain Kelly Carter jobs as a gadrobiere for the famous fashion designer Francesco, she dreams of designing shoes for him. However she can’t win his attention… until she meets a good fairy on the street, who enchants a pair of Kelly’s shoes, so that she turns into supermodel Prudence whenever she wears them. She attends one of Francesco’s balls and immediately wins his heart. Now, how can she make him love her real self?
The comic strip detective finds his life vastly complicated when Breathless Mahoney makes advances towards him while he is trying to battle Big Boy Caprice’s united mob.
We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.
Sam Wheat is a banker, Molly Jensen is an artist, and the two are madly in love. However, when Sam is murdered by his friend and corrupt business partner Carl Bruner over a shady business deal, he is left to roam the earth as a powerless spirit. When he learns of Carl’s betrayal, Sam must seek the help of psychic Oda Mae Brown to set things right and protect Molly from Carl and his goons.
This twisted Iranian narrative follows a mysterious couple from Tehran as they distribute large bags of money in an impoverished mountain border town. Beginning as a black comedy, the film’s mood transforms as the games played by Kaveh (director Mani Haghighi) and Leyla (Taraneh Alidoosti) become increasingly perverse, as they find inventive ways of humiliating the recipients of the cash. The immorality of the central characters is at times sickening, and their chain of lies is often as puzzling to us as they are to the townsfolk depicted onscreen. What is the relationship between the pair and why are they giving away money to the needy? Modest Reception has no easy answers nor pat resolutions – instead Haghighi takes the viewer on an intriguing ride into the dark recesses of the human spirit.
A group of suburban teenagers try to support each other through the difficult task of becoming adults.
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