A modern tale of a teenager’s coming-of-age journey loosely inspired by the classic novel “The Wonderful Wizard of Oz.”

Twenty-five years after the verdict in the Rodney King trial sparked several days of protests, violence and looting in Los Angeles, LA 92 immerses viewers in that tumultuous period through stunning and rarely seen archival footage.

Months after they broke up, Gunnar receives a strange phone call from his ex-boyfriend, Einar. He sounds distraught, like he’s about to do something terrible to himself. Gunnar drives up to the secluded cabin where Einar is holed up and soon discovers that there’s more going on than he imagined. As the two men come to terms with their broken relationship, some other person seems to be lurking outside the cabin, wanting to get in.

Cleaning out his childhood home at Christmas, a novelist meets a woman searching for her birth mother. Will an old diary unlock their pasts — and hearts?

The wedding of their youngest sister, Janet, brings Gwen and Kay home to St. John’s, Newfoundland. While Janet struggles to hide her family’s dysfunction, Kay can’t help but create chaos wherever she goes and Gwen finds herself paralyzed by a past secret. The complicated web of relationships between the sisters, their Aunt Maureen, their absent mother, and Kay’s young daughter Billie, is only illuminated by the wedding. Gwen’s attempts to get Kay to take responsibility for her daughter highlights her own abandonment of her ex, Tom, leading them all to a not-so-perfect storm of a reception.

Steve McQueen is ideally cast as a champion race car driver, participating in the famed 24-hour race headquartered in Le Mans, France. Though dedicated to Going for the Gold, McQueen finds time to romance widowed Elga Andersen. The dramatic angle to this plot wrinkle is that McQueen may well have been responsible for the death of Andersen’s husband during a previous car pile-up. Director John Sturges, who’d previously helmed Steve McQueen’s legendary motorcycle chase scenes in The Great Escape, was originally slated to direct Le Mans, but withdrew from the project; it was then taken over by Lee H. Katzin.

Ashes and Snow, a film by Gregory Colbert, uses both still and movie cameras to explore extraordinary interactions between humans and animals. The 60-minute feature is a poetic narrative rather than a documentary. It aims to lift the natural and artificial barriers between humans and other species, dissolving the distance that exists between them.

Martha Beck, an obese nurse who is desperately lonely, joins a “correspondence club” and finds a romantic pen pal in Ray Fernandez. Martha falls hard for Ray, and is intent on sticking with him even when she discovers he’s a con man who seduces lonely single women, kills them and then takes their money. She poses as Ray’s sister and joins Ray on a wild killing spree, fueled by her lingering concern that Ray will leave her for one of his marks.

Sex, lies, and deception of a con man.

In tiny Colewell, Pennsylvania, the residents gather at the post office for mail and gossip, while the days pass quiet and serene. That is until news comes that the office is to close, and beloved clerk Nora (a marvelous Karen Allen) is left to fight for her job and reflect on the choices she has made that kept her in Colewell for so many years. Touching, with a hint of melancholy, Tom Quinn’s eloquent film is an ode to small-town life and the quiet emotions that come with nostalgia and memories of the past. As fears arise around her future and her past becomes ever more present, Nora states, “I don’t want to be lonely,” but what that means is elusive. Colewell gorgeously captures rural America, while giving space to the beauty of time passing and reflecting on what determines a life well lived.

The red moon threatens our existence on earth. Our only hope is the enigmatic Paul WR, the most talented astronaut of its generation. But few hours before the start of the mission, Paul disappears.

Three friends on a wilderness excursion must outrun a white collar criminal hellbent on retrieving his cash, but soon their greed turns them against each other. A modern re-telling of Treasure of the Sierra Madre (1948).