A group of travelers are forced to seek shelter inside an abandoned jail where a notorious nun named Sister Monday had once been assigned and was suspected of murdering prisoners.
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A writer suffering from agoraphobia rents an isolated house so she can concentrate on her writing. She doesn’t know that the house is a former brothel, and is inhabited by the ghosts of dead prostitutes.
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Three friends film a documentary about Joanna Toy, a woman convicted of witchcraft 400 years ago in the town of Terrassa, Spain. In 1619, six women were accused of witchcraft. Five were hanged after being tortured, but Joanna Toy escaped.
Two brothers, desperate to break into the world of television and film, decide to enter a horror movie contest. And what could be more horrifying than the elusive snuff film?
It’s the eve of Christmas in northern Finland and an “archeological” dig has just unearthed the real Santa Claus. But this particular Santa isn’t the one you want coming to town. When all the local children begin mysteriously disappearing, young Pietari and his father Rauno, a reindeer hunter by trade, capture the mythological being and attempt to sell Santa to the misguided leader of the multinational corporation sponsoring the dig. Santa’s elves, however, will stop at nothing to free their fearless leader from captivity. What ensues is a wildly humorous nightmare – a fantastically bizarre polemic on modern day morality. RARE EXPORTS: A CHRISTMAS TALE is a re-imagining of the most classic of all childhood fantasies, and is a darkly comic gem soon to be required perennial holiday viewing.
Based on a short story by Stephen King, a man and his family return to his home town, but he is then harassed by teenagers that died when he was a kid.
Gregg’s first day at his new job starts off strangely, as he discovers his cubicle is covered in a sea of Post-Its left behind by his predecessor, who he soon discovers did not leave on amicable terms. His co-workers don’t seem quite normal either, standing aimlessly or endlessly chatting nonsense on the phone or gossiping by the coffee machine. Grown men cry in this office and as Gregg tries to stay on top of his new job, fighting a toy car that runs around the office, arguing with a janitor, and trying, repeatedly, to send out an all important fax; things gradually go from bad to worse in this corporate wasteland. As day turns into night, Gregg begins to realize this is no ordinary workplace. It can be very lethal…
A random invitation to a Halloween party leads a man into the hands of a rogue collective intent on murdering him for the sake of their art, sparking a bloodbath of mishap, mayhem and hilarity.
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