A Miser Brothers’ Christmas is a sequel to the classic 1974 television special The Year Without a Santa Claus. The stop-motion animated special, produced by Warner Brothers Television Animation (owners of the post-1973 Rankin/Bass animated special library) and Toronto-based Cuppa Coffee Studios, premiered as part of ABC Family’s 25 Days of Christmas on December 13, 2008. Mickey Rooney reprised his role of Santa Claus, which originally debuted in the 1970 special Santa Claus is Comin’ to Town, while George S. Irving reprised his role as the Heat Miser. Original music was written by William K. Anderson, with the exception of “Snow Miser/Heat Miser”, which was written by Maury Laws and Jules Bass for the 1974 special. Eddie Guzelian (Lilo & Stitch 2: Stitch Has a Glitch) wrote the story and Dave Barton Thomas directed. The special was nominated for the 2008 Annie Award for Best Animated Television Production.
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Bad weather diverts Tom and Laura Jane from their Bahamas dream wedding. So, with friends, parents, and Laura’s protective big brother, they land at a mystery hotel in Jamaica—which turns out to be a swinger’s resort! Can the innocent couple avoid the nonstop booze, weed, naked bodies, and lusty dolphins long enough to make it to the altar?
Four best friends, about to graduate from high school, must find a way to raise money to help a family member in need. When one of them discovers her banker father having an affair, the foursome plots to rob his bank during graduation ceremonies. When things don’t go according to plan, they end up learning more about themselves in one day than they ever did in school.
Set in the year 2024 in post-apocalyptic America, 18-year old Vic and his telepathic dog Blood are scavengers in the desolate wilderness ravaged by World War 4, where survivors must battle for food, shelter, and sexual companionship in the desert-like wasteland. Vic and Blood eke out a meager existence, foraging for food and fighting gangs of cutthroats.
When best friends, Jack and Scottie, get a once in a lifetime shot at hidden loot, they take off on a cross-country adventure turned crime spree. With a whiny accidental hostage in tow, and a deranged bounty huntress and Johnny Law hot on their trail, it’s going to be a race to the bullet-riddled finish.
A decade and a half after their seminal indie film launched meteoric filmmaking careers, Splick and Jason find themselves staring at their own individual, pre-midlife crises. Having not spoken to one another since a late-nineties falling out, they’re each grappling with the challenges of stalled careers and relationships, as the hands of time creep ominously past forty-o’clock. Splick’s most recent TV show, centered around his character’s perverse relationship with dessert foods, is unceremoniously cancelled by the network, forcing a return to his childhood bedroom at his mother’s apartment in New York. Frustrated by a barrage of comments about the “good,” “funny,” movies he used to make with his old partner, Jason, Splick determines to seek him out and attempt a reunion.
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A teen coming-of-age romantic dramedy about a media-obsessed geek and the most beautiful and twisted girl in school.
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