They say the darkest hour is just before dawn, and at the Sunrise diner it’s very late indeed. Four couples find themselves at an out-of-the-way 24-hour diner, but they are not all that they seem. Intertwined throughout the night are a middle age couple who are at a crisis in their lives, a cook who thinks he is finally finding his way forward, a waitress in a bad relationship and a young punk and his girlfriend who think this is the last stop before the new world of imagined ease. But the strangest of all are the dark stranger and young girl who don’t seem to be part of this world. A film about dreams gone bad, missed opportunities, love, fear and death.

Young Violetta and her mother Hannah are a peculiar couple. Ten-year-old Violetta lives a quiet life with her grandmother, while her mother Hannah is an unpredictable photographer who lives off of the generosity of others. When Hannah forces her daughter to pose as a model, Violetta finds her life with her loving grandmother turned upside down.The resulting pictures quickly become a sensation for the trendy 70’s Paris art scene, and Violetta finds herself caught in between her new stature as an art muse and her dull childhood.

“Tormenting the Hen” a caustic satire of city mice in the world of country mice, where well-meaning cosmopolites clash with strange townsfolk in country homes, black-box theaters, backyards, and local pubs. Invited by a dippy, curator (Josephine Decker), playwright Claire (Dameka Hayes) is spirited away to an artists’ retreat to present a political one-act about race, resentment, and masculinity. Accompanied by her fiancé, Monica (Carolina Monnerat), begins as a welcome getaway for the harried pair, until an unexpected visit from town enigma Mutty (Matt Shaw) casts a threatening shadow. While Claire plays babysitter to a duo of difficult performers Joel (Brian H. Brooks) and Adam (David Malinsky) Monica attempts to maintain her sanity despite her lover’s decreasing attentions and her neighbor’s proximity. Each woman struggles to preserve her autonomy in an increasingly hostile milieu, building to a soul-shaking climax that offers no easy answers for character and viewer alike.

A former boyracer who married his first love and took a job in one of the fish factories, now has a 17 year-old-son of his own following in his footsteps and can no longer ignore the fact he’s going nowhere. Unable to be physically or emotionally present with his family, he takes his son’s car out for one final joy ride and risks losing the love that surrounds him

A documentary crew starts to make a documentary about an Auto Rickshaw driver in Mumbai. As they dig deeper into his life they discover angst, sexual frustration and paranoia that leads to a terrible end.

The corrupt Lord Ambrose D’Arcy steals the life’s work of the poor musical Professor Petry. In an attempt to stop the printing of music with D’Arcy’s name on it, Petry breaks into the printing office and accidentally starts a fire, leaving him severely disfigured. Years later, Petry returns to terrorize a London opera house that is about to perform one of his stolen operas.

A vacuum repairman moonlights as a street musician and hopes for his big break. One day a Czech immigrant, who earns a living selling flowers, approaches him with the news that she is also an aspiring singer-songwriter. The pair decide to collaborate, and the songs that they compose reflect the story of their blossoming love.

Homer is an orphan who was never adopted, becoming the favorite of orphanage director Dr. Larch. Dr. Larch imparts his full medical knowledge on Homer, who becomes a skilled, albeit unlicensed, physician. But Homer yearns for a self-chosen life outside the orphanage. What will Homer learn about life and love in the cider house? What of the destiny that Dr. Larch has planned for him?

Roger is a foster child whose irresponsible father promises to get his act together when Roger’s favourite baseball team, the California Angels, wins the pennant. The problem is that the Angels are in last place, so Roger prays for help to turn the team around. Sure enough, his prayers are answered in the form of angel Al.

Katie (Lucy Hale) and Sara (Phoebe Strole) have been friends since childhood. They enter college together, where Katie is a prized legacy candidate for the Delta sorority, which was co-founded decades ago by her mother, Lutie (Courtney Thorne-Smith) and Summer (Faith Ford), whose own daughter Gwen (Amanda Schull) now leads the Deltas on campus. Events occur during pledge week to cause a rift between Katie and the Deltas, which leaves Sara as a Delta pledge and Katie out in the cold. Katie joins the rival Kappa sorority, and the rivalry splits not just Katie and Sara, but extends all the way into the Delta alumnae association led by Lutie and Summer.

After years of performing “exorcisms” and taking believers’ money, Reverend Marcus travels to rural Louisiana with a film crew so he can dispel what he believes is the myth of demonic possession. The dynamic reverend is certain that this will be another routine “exorcism” on a disturbed religious fanatic but instead comes upon the blood-soaked farm of the Sweetzer family and a true evil he would have never thought imaginable.

The tale of an outlaw who escapes from prison and sets out across the Texas hills to reunite with his wife and the daughter he has never met.