THE FIRST MONDAY IN MAY follows the creation of The Metropolitan Museum of Art’s most attended fashion exhibition in history, “China: Through The Looking Glass,” an exploration of Chinese-inspired Western fashions by Costume Institute curator Andrew Bolton. With unprecedented access, filmmaker Andrew Rossi captures the collision of high fashion and celebrity at the Met Gala, one of the biggest global fashion events chaired every year by Vogue editor in chief Anna Wintour. Featuring a cast of renowned artists in many fields (including filmmaker Wong Kar Wai and fashion designers Karl Lagerfeld, Jean Paul Gaultier and John Galliano) as well as a host of contemporary pop icons like Rihanna, the movie dives into the debate about whether fashion should be viewed as art.

A comedy about depression, alcoholism, suicide and the other funniest parts of life. Gethard holds nothing back as he dives into his experiences with mental illness and psychiatry, finding hope in the strangest places. An adaption of his one-man off-Broadway show of the same name.

In a place where killers are celebrated as heroes, these filmmakers challenge unrepentant death-squad leaders to dramatize their role in genocide. The result is a surreal, cinematic journey, not only into the memories and imaginations of mass murderers, but also into a frighteningly banal regime of corruption and impunity.

Diabetes. Prostate cancer. Alcoholism. Parkinson’s diseases. Just a handful of many common illnesses that Western medicine has been inadequate in curing or treating. Witness the story of eight brave souls as they leave the developed world behind in search of deeper answers. Living in seclusion for one month in the heart of the Amazon jungle, these men and women take part in the powerful healing practices of Peru’s indigenous medicine men, working with centuries-old plant remedies and spiritual disciplines. In their most desperate hour, these patients are forced to confront not only their physical ailments, but their own spiritual and psychological barriers in the process. Five will return with real results, two will return disappointed, and one won’t come back at all.

A documentary that paints a remarkable picture of America and how the rise of civic and economic reinvention is transforming small cities and towns across the country. Based on journalists James and Deborah Fallows’ book Our Towns: A 100,000-Mile Journey into the Heart of America, the film spotlights local initiatives and explores how a sense of community and common language of change can help people and towns find a different path to the future.

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Are we in fact living in a simulation? This is the question postulated, wrestled with, and ultimately argued for through archival footage, compelling interviews with real people shrouded in digital avatars, and a collection of cases from some of our most iconoclastic figures in contemporary culture.

As daily airstrikes pound civilian targets in Syria, a group of indomitable first responders risk their lives to rescue victims from the rubble.

Villagers in Turkey’s Black Sea village of Camburnu struggle with the government’s decision to turn their community into a garbage dump.

The Ultimate Tour is a reunion tour by British pop group, Take That. The tour, featuring four of the original members of the group — Gary Barlow, Jason Orange, Mark Owen and Howard Donald — ran for a total of 32 shows in Britain and Ireland.

From the first time he performed Swimming to Cambodia – the one-man account of his experience of making the 1984 film The Killing Fields – Spalding Gray made the art of the monologue his own. Drawing unstintingly on the most intimate aspects of his own life, his shows were vibrant, hilarious and moving. His death came tragically early, in 2004; this compilation of interview and performance footage nails his idiosyncratic and irreplaceable brilliance.

Amazon Music, Warner Records and Biffy Clyro present ‘Biffy Clyro: Cultural Sons of Scotland’, an intimate documentary film showing the back-to-basics recording process they adopted to create their ninth studio album, ‘The Myth of the Happily Ever After’.