Gay twins Gary and Larry have always loved Dolly Parton. They left their small town home ten years ago to make it in Hollywood and are finally ready to get their script to Dolly. In a RV named Jolene, the boys embark on the adventure of a lifetime. This road trip is also a journey of self-discovery and an attempt to resolve mommy issues that have divided them since childhood.

When you’re the #2 Bad Guy, your days are usually numbered.

When NATO troops withdrew from Afghanistan, the Afghan National Army (ANA) took over control of Helmand Province, an extremely dangerous region where attacks by Taliban fighters are the order of the day. Security, much less peace, would seem to be unattainable; it is even difficult to find a common language in a country where everyone mistrusts each other. The directors of this film accompanied an ANA company during a year of frontline duty in Helmand. The soldiers are paid irregularly, there are not enough supplies and their equipment is substandard. They cannot fight a war with the equipment left behind by the ISAF.

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A bold and unflinching documentary on ‘white flight’ in the area of Spanish Lake, Missouri, a post WW2 suburb. The town experiences rapid economic decline and population turnover due to racism and governmental policies which support the white exodus. The themes of the film parallel America’s growing political divide, racial tension, and rise of anti-government sentiment.

An intimate look at Audrey Hepburn’s life, with access to exclusive never-before-seen footage from her family’s personal collection, providing an unprecedented and insightful view on Audrey, her life and her dreams, aspirations and her everlasting legacy.

An intimate study of one of the most influential and provocative thinkers of the 20th century tracking feminist icon Susan Sontag’s seminal, life-changing moments through archival materials, accounts from friends, family, colleagues, and lovers, as well as her own words, as read by Patricia Clarkson.

What begins as a documentary following the final tour of a dying magician—”The Amazing Johnathan”—becomes an unexpected and increasingly bizarre journey as the filmmaker struggles to separate truth from illusion.

After Alice Jackson left her home due to a profound paranormal experience, world renown paranormal investigator Steve Gonsalves takes on the case making it his personal mission to help Alice face her fears so she can move back into her home. This film is the much anticipated follow up to the hit documentary The House in Between. Part two the continuation shows a detailed look at one of the most haunted homes in America and the real-life struggles of Alice Jackson and the team working to help Alice get back into her home. Science and the paranormal come together bringing one of the most thorough paranormal investigations ever documented. Who or what is haunting Alice’s home?

Daughter explores the way women are viewed in society by following three female characters on a Friday night out in St Kilda, who’s lives become entwined and affected by an act of violence this fateful night. The award winning short film and an awareness project was inspired by the tragic murder cases of Jill Meagher in Brunswick and St Kilda’s own Tracy Connelly, whose occupation as a sex worker was highlighted in the media, leading to her murder and personal story being sadly overshadowed. The main themes explored in the film are violence against women and victim blaming, shown through the eyes of three female leads, lead by Katherine Langford (13 Reasons Why) as Scarlett, Aisha Tara (Heartbreak High) as Jemma and Carolyn Rey as Alethea.

Five-time Emmy winner Dennis Miller skewers politics and the Americans who love them in his 9th stand-up comedy special

A young film director returns to Venezuela, inspired to make a film based on his father’s life in the Amazon jungle (La Fortaleza, Jorge Thielen Armand). He casts Father to play himself. What starts as an act of love and ambition — filmmaking to more deeply understand the self, and the other — spirals into a process which confronts Father’s struggles with addiction and his life devoid of his son. EL FATHER PLAYS HIMSELF holds a steady lens to the way the act of cinema unearths, binds, heals and destroys.