Jan Schlickmann is a cynical lawyer who goes out to “get rid of” a case, only to find out it is potentially worth millions. The case becomes his obsession, to the extent that he is willing to give up everything – including his career and his clients’ goals, in order to continue the case against all odds.
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Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as ‘a genius straight from the slums.’ When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her mother’s family and was in prison undergoing rehab. Re-introduced to her mother’s plays and letters, the film follows Lorraine’s personal journey as she reflects on her own life and begins to understand the struggles her mother faced.
Diagnosed as an autistic child, Grzegorz lives in his own, hermetic world not being able to connect with others. When he is a teenager, it turns out that the cause of Grzegorz’s isolation is not autism but a deep hearing impairment, underneath which a great musical talent has been hidden for years.
Mato Grosso do Sul, Brazil, the present. When a young Guarani-Kaiowá woman commits suicide, Nádio leads his community to form a protest camp on the borders of a local farm that sits on their ancestral burial ground.
Sara Shaw is the type of woman who prefers to sit on the sidelines at work, but when her big idea for a Christmas initiative is stolen, she makes a wish to Santa that she’ll finally have the courage to stand up for herself. Santa grants her wish, but only gives her 48 hours. As the clock ticks, Sara will discover how to channel the Christmas magic and speak her mind all on her own.
Theresa, a haunted young woman spiraling in the wake of profound loss, is torn between her fractured emotional state and the reality-altering effects of a potent cannabinoid drug.
Based on a true story, this is the tale of Josephine Monaghan, a young woman of the mid-19th century who is thrown out of her parents’ home after being seduced by the family’s portrait photographer and giving birth to an illegitimate child. Josephine quickly learns that young, female, pretty, and alone are a bad combination for life in the wild west. In her desperation to survive, Josephine disguises herself as “Jo”, a young man, and struggles to make a life for herself in a dingy frontier mining town. Can “Little Jo” live and love without revealing his/her secret?
The picture opens in Krasnoyarsk, Siberia, in late 1988, when military trainees Petrovsky, Ryaba, Chugun, Stas, Pinochet, Lyutev and Vorobyev are whipped into shape at a training camp by the brutal, sadistic commander, Warrant Officer Dygalo – prior to being sent off to the front lines. After several one-by-one dalliances with the local whore, Snow White, and a cautionary lecture on the history, geography and culture of Afghanistan (which most of the men sleep through), the trainees head off to battle – first to the Bagram air base, then to the Afghani province of Khost to secure supply lines. But nothing can begin to prepare them for the brutal devastation into which they are plunged, or the relentless tide of slaughter that scatters thousands of Soviet victims in its wake.
What does it mean to be awake in a world that seems satisfied to be asleep? Kris and Michal push their experiences of life and love to a breaking point as they restlessly roam the city streets in search of answers, adrift in the euphoria and uncertainty of youth.
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