Martin Taylor has totally lost touch with his family. He has no clue who his teenage daughter’s friends are, why his son only communicates with an electronic sign outside his bedroom door, or why his youngest child only watches faith TV. Convinced the family needs to reconnect, Martin surprises the wife and kids with a little experiment-he locks them in their own home with no power, no heat, no running water, and absolutely no contact with the world outside! The sudden holiday staycation isn’t what the Taylors had in mind for the weekend, but they’ll have to team up to prove they can survive Dad’s wacky mission. With a heartfelt message and some persistence, one little member of the family helps put their priorities back in the pews, because they’ll need all the faith they have to get through this!
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Brash, bold and never afraid to go blue, comedian Lisa Lampanelli offers a raucous and raunchy performance in her first stand-up special for EPIX. Taped at the Music Hall in Tarrytown, New York, the set includes Lampanelli’s signature brand of insult comedy as well as her personal experiences with weight loss and divorce.
Louisa May Alcott’s autobiographical account of her life with her three sisters in Concord Mass in the 1860s. With their father fighting in the civil war, the sisters: Jo, Meg, Amy and Beth are at home with their mother – a very outspoken women for her time. The story is of how the sisters grow up, find love and find their place in the world.
On a school trip at the local museum, class troublemaker Scott Collins experiences a bizarre psychic connection with one of its artifacts – a skull. The creepy skull allows him to for-see his grandmother’s death. Of course, nobody believes him, passing it off as one of his usual tales. But after gran dies suddenly, his younger sister, Trish, for whom he shares a mutual contempt, is stunned to learn that her brother’s premonition was true. With both parents out of work and their house on the verge of foreclosure, Scott, still affected by the powers of the skull, convinces his family to accept employment as caretakers for a large Victorian house in the countryside. When they arrive they meet the owner, Trelawney, a seemingly normal man with one exception – he has the ability to speak to Scott telepathically. Scott soon discovers that the cursed skull holds the key to both of their futures.
Aging actor Lester Rosenthal (Gabriel Byrne), who has lost his way with his career, with his family, and with his friends (Nathan Lane, Frances Conroy, & Boyd Gaines) finds out that the way out is through.
In a world where ghosts are real and front-page news, a controversial new medical procedure allows people to peacefully kill themselves. In the midst of this breakthrough, two strangers travel cross country together to end their lives, only to unexpectedly find what they’ve been missing along the way.
Happily-ever-after continues for Auradon’s power couple as they prepare to say “I do” at an epic celebration with their friends and family, but Hades threatens to ruin it all.
After the unexpected death of his survivalist father, an eleven year old boy raised in the Alabama wilderness must learn how to make a home in the modern world.
Sexy. Style-conscious. Extreme love affairs. Complicated friendships. Life happens all too quickly when Cloey is reluctantly plucked from her comfort zone and complete reliance on others is overturned – a secure relationship with her boyfriend unravels, her childhood best friend is moving away and daddy’s (Daniel Baldwin) checkbook closes. City Baby comments on the ladder-climbing mentality of always reaching for the next bigger, better thing – relationship, city, job – when sometimes what’s right in front of us is just fine. Scattered with cameos from Portland musicians like Stephen Malkmus of Pavement, live musical performances by Glass Candy and Starfucker, and a thoughtful soundtrack featuring all Portland bands and musicians, City Baby depicts a playground for semi-adults, revolving through the lives of cool kids.
Exactly one year after the release of the one man show, “Bo Burnham: Inside” (made in one room, by one person, throughout the pandemic,) comes a series of unseen outtakes, deleted scenes, alternative versions of songs, and new songs unused from the special.
Two Chicago couples struggle to keep their love alive when secrets and long-simmering resentments rise to the surface.
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