At first gas station attendant Poet is happy when the rockers gang “Hell’s Angels” finally accepts him. But he’s shocked when he learns how brutal they are – not even murder is a taboo to them. He gets himself in trouble when the leader’s girlfriend falls in love with him – and he welcomes her approaches.

When New York psychiatrist Bill Capa visits Los Angeles to take over his murdered colleague’s therapy group, he finds himself embroiled in the thick of a mystery when he bumps into Rose and begins a torrid affair.

While on the run from the police, Steve Railsback hides in a group of moviemakers where he pretends to be a stunt man. Both aided and endangered by the director (Peter O’Toole) he avoids both the police and sudden death as a stuntman. The mixture of real danger and fantasy of the movie is an interesting twist for the viewer as the two blend in individual scenes.

Jenny, a deaf runaway who has just arrived in San Francisco’s Haight-Ashbury district to find her long-lost brother, a mysterious bearded sculptor known around town as The Seeker. She falls in with a psychedelic band, Mumblin’ Jim, whose members include Stoney, Ben, and Elwood. They hide her from the fuzz in their crash pad, a Victorian house crowded with love beads and necking couples. Mumblin’ Jim’s truth-seeking friend Dave considers the band’s pursuit of success “playing games,” but he agrees to help Jennie anyway.