A woman watches time passing next to the suitcases of her ex-lover (who is supposed to come pick them up. but never arrives) and a restless dog who doesn’t understand that his master has abandoned him.

Two unmarried women who have become pregnant by accident and are about to give birth meet in a hospital room: Janis, middle-aged, unrepentant and happy; Ana, a teenager, remorseful and frightened.

Harry Caine, a blind writer, reaches this moment in time when he has to heal his wounds from 14 years back. He was then still known by his real name, Mateo Blanco, and directing his last movie.

Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.

Recently released from a mental hospital, Ricky ties up Marina, a film star he once had sex with and keeps her hostage.

Marisa Paredes is Leocadia (“Leo”) Macias, a woman writing “pink” romance novels under the alias of Amanda Gris that are very popular all across Spain. Unlike her romantic novels, her own love life is troubled. Leo has a less than happy relationship with her husband Paco, a military officer stationed in Brussels then later in Bosnia, who is distant both physically and emotionally.

Pepa resolves to kill herself with a batch of sleeping-pill-laced gazpacho after her lover leaves her. Fortunately, she is interrupted by a deliciously chaotic series of events.

Kika, a young cosmetologist, is called to the mansion of Nicolas, an American writer to make-up the corpse of his stepson, Ramon. Ramon, who is not dead, is revived by Kika’s attentions and she then moves in with him. They might live happily ever after but first they have to cope with Kika’s affair with Nicolas, the suspicious death of Ramon’s mother and the intrusive gaze of tabloid-TV star and Ramon’s ex-psychologist Andrea Scarface.

Raimunda (Penélope Cruz) works and lives Madrid with her husband Paco and daughter Paula. Her sister Sole (Lola Dueñas) lives nearby and they both miss their mother Irene (Carmen Maura), who died several years ago in a house fire along with their father. A former neighbor from their hometown reports that she has seen the ghost of Irene and both daughters do not believe her. After a murder and a family tragedy, Irene’s spirit materializes around her daughters to help comfort them.

The film spans 30 years in Julieta’s life from a nostalgic 1985 where everything seems hopeful, to 2015 where her life appears to be beyond repair and she is on the verge of madness.

A single mother in Madrid sees her only son die on his birthday as he runs to seek an actress’ autograph. Beside herself with grief, she returns to Barcelona to tell the boy’s father about the death of the son he never knew he had.

Two men share an odd friendship while they care for two women who are both in deep comas.

The film is an ensemble comedy written and directed by Pedro Almodóvar. When it appears as though the end is in sight, the pilots, flight crew, and passengers of a plane heading to Mexico City look to forget the anguish of the moment and face the greatest danger, which we carry within ourselves.

A brilliant plastic surgeon creates a synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.