When the rogueish but loveable Raif is asked to be his brother Tim’s best man at his wedding, he decides the best present for the happy newlyweds would be to catch the entire thing on video. He returns home from abroad to find his brother is no longer the bohemian vagabond that he used to be, and is in fact marrying into a very wealthy family, and the wedding they’re about to be part of will be the most outlandish and bizarre that Cheshire has ever seen… Thank the lord Raif has caught it all on tape!

Revealing bio-documentary giving an exclusive look into the life of one of the world’s most admired and respected musicians as Bruce Springsteen explores and explains his greatest influences

On a flight from Los Angeles to New York, Oliver and Emily make a connection, only to decide that they are poorly suited to be together. Over the next seven years, however, they are reunited time and time again, they go from being acquaintances to close friends to … lovers?

Unexpectedly widowed, prim and proper housewife Grace Trevethyn finds herself in dire financial straits when she inherits massive debts her late husband had been accruing for years. Faced with losing her house, she decides to use her talent for horticulture and hatches a plan to grow potent marijuana which can be sold at an astronomical price, thus solving her financial crisis.

East is East writer Ayub Khan-Din returns with another funny, tender-hearted portrait of family strife. Based on his popular play Rafta, Rafta (itself inspired by Bill Naughtons 1960s classic All in Good Time), the film is set in Bolton where Atul and Vina are celebrating their marriage. However, a honeymoon spent with his parents was not part of their plans. Thoughtless patriarch Eeshwar seems determined to emasculate and embarrass his son. As the weeks pass, consummating their union becomes an impossibility that threatens the couples entire future. A breezy mixture of heartbreak and hilarity, All in Good Time also offers peerless performances from original stage stars Harish Patel and Meera Syal.

A dramatization of the 1968 strike at the Ford Dagenham car plant, where female workers walked out in protest against sexual discrimination.

Members of a Yorkshire branch of the Women’s Institute cause controversy when they pose nude for a charity calendar.