Johannes Grenzfurthner
South African enfant terrible filmmaker and artiste-cineaste Manus Oosthuizen meets with Rotten Tomatoes-approved indie film critic Babette Cruickshank in an Echo Park sound studio. With key members of Manus’s crew joining, they record an audio commentary track for his new elegiac feature documentary Razzennest. But the session goes down a different path… cazzart! The ultimate elevation of arthouse horror, just not as you might expect.
Conducting a series of experiments in his makeshift home-lab, a skeptic IT worker tries to cure his harrowing hearing impairment. But where will his research lead him? “Masking Threshold” combines a chamber play, a scientific procedural, an unpacking video, and a DIY YouTube channel while suggesting endless vistas of existential pain and decay. Glimpse the world of the nameless protagonist in this eldritch tale, which is by no means for the faint of heart.
Artist and life-long nerd Johannes Grenzfurthner is taking us on a personal road trip from the West Coast to the East Coast of the USA, to introduce us to places and people that shaped and inspired his art and politics. Traceroute wants to chase and question the ghosts of nerddom’s past, present and future. An exhilarating tour de farce into the guts of trauma, obsession and cognitive capitalism. Features interviews with Matt Winston, Sandy Stone, Bruce Sterling, Jason Scott, Christina Agapakis, Trevor Paglen, Ryan Finnigan, Kit Stubbs, V. Vale, Sean Bonner, Allison Cameron, Josh Ellingson, Maggie Mayhem, Paolo Pedercini, Steve Tolin, Dan Wilcox, Jon Lebkowsky, Jan “Varka” Mulders, Adam Flynn, Abie Hadjitarkhani, Kelly Poots…
Puppets! Pixels! Anime! Live action! Stock footage!
Lumpennerd Johannes Grenzfurthner gives an ideotaining cinematic revue about important political concepts. Everyone is talking about freedom! Privacy! Identity! Resistance! The Market! The Left! But, yikes, Johannes can’t tolerate ignorant and topically abusive comments on the “Internet” anymore! Supported by writer Ishan Raval, in this film, Johannes explains, re-evaluates, and sometimes sacrifices political golden calves of discourse.
Not to be used with false consciousness or silicone-based lubricant.
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