Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.

Since women are banned from soccer matches, Iranian females masquerade as males so they can slip into Tehran’s stadium to see the game between Iran and Bahrain. The ones who are caught and arrested are taken to a holding area and guarded by soldiers. One sympathetic soldier agrees to watch the game through a peephole and recount the action to the impatient fans.

A man, his dog, a young woman and a filmmaker in a house by the Caspian Sea. All three are wanted, but they are also in search of each other. Thus begins an absurd game in which reality and fiction merge.

A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…