A woman helps the police catch the serial killer who murdered her best friend.

A smooth-talking French thief (George Sanders) wangles his way into an important position as prefect of police.

Jenny Marsh is a hard-luck dame who’s just finished five years in the slammer for killing a man. Jenny’s not exactly the murdering type — she did the deed while defending her jailbird lover, Harry, which is probably one reason she’s attracted the attention of her parole officer, Griff Marat. In fact, Griff is so taken with Jenny that he gets her a job caring for his ailing mother, but although Jenny tries to fly right, she’s not yet over Harry.

When churlish, spoiled rich man Bob Merrick foolishly wrecks his speed boat, the rescue team resuscitates him with equipment that’s therefore unavailable to aid a local hero, Dr. Wayne Phillips, who dies as a result. Phillips had helped many people, and when Merrick learns Phillips’ secret, to give selflessly and in secret, he tries it in a ham-handed way.

Predicated on a May-December romance. The difference here is that the woman, attractive widow Cary Scott, is considerably older than the man, handsome gardener-landscaper Ron Kirby. Throwing conventional behavior to the winds and facing social ostracism, Cary pursues her romance with Ron, who is unjustly perceived as a fortune-hunter by Cary’s friends and family — especially her priggish brother Ned.

Lora Meredith, a white single mother who dreams of being on Broadway, has a chance encounter with Annie Johnson, a black widow. Annie becomes the caretaker of Lora’s daughter, Suzie, while Lora pursues her stage career. Both women deal with the difficulties of motherhood: Lora’s thirst for fame threatens her relationship with Suzie, while Annie’s light-skinned daughter, Sarah Jane, struggles with her African-American identity.

Story of a friendship between an eccentric journalist and a daredevil barnstorming pilot.

A boggy swashbuckler of Irish freedom-fighter Michael Martin.