Neve Kelly is dead. She is stuck in limbo and must find out who killed her. This adaptation of the mystery series Beau Séjour impresses on account of its young cast and the breath-taking landscapes of England’s Lake District.

Children’s Ward is a British children’s television drama series produced by Granada Television and broadcast on the ITV network as part of its Children’s ITV strand on weekday afternoons. The programme was set – as the title suggests – in Ward B1, the children’s ward of the fictitious South Park Hospital, and told the stories of the young patients and the staff present there. Aimed at older children and teenagers, Children’s Ward was a long-lived series for a children’s drama, starting life in 1988 as a contribution to the Dramarama anthology strand, “Blackbird Singing In The Dead of Night”, then first broadcast as a series 1989 and running from then until 2000.

The series was conceived by Granada staff writers Paul Abbott and Kay Mellor, both of whom went on to enjoy successful careers as award-winning writers of adult television drama. At the time, they were both working on the soap opera Coronation Street, and had recently collaborated on a script for Dramarama.

Abbott, who had been through a troubled childhood himself, had initially wanted to set the series in a children’s care home rather than a hospital, but this was vetoed by Granada executives. During the course of its run, however, Children’s Ward won many plaudits for covering difficult issues such as cancer, alcoholism, drug addiction and child abuse in a sensitive manner. The programme won many awards, including in 1996 a BAFTA Children’s Award for Best Drama, won by an episode in which a serial killer lures children to him via the internet and is – highly unusually for children’s television – not eventually caught.

14-year-old Leigh lives with her neglectful father on the outskirts of Brighton. She’s a talented gymnast, training hard for her first competition. When an older half-brother appears at her house one night, Leigh’s lonely existence is altered.

The search for a serial killer becomes a matter of life and death for detective Annie Redford, who is trying to cope with her first murder case.

Manchester, the present. Michael divides his time between the job center and the pub. A chance meeting with Lee, an introduction to her Uncle Ian and a heavy night on the lash lead to a job working the door at a Northern Quarter massage parlor. After witnessing the violent death of one of the punters, Michael experiences blood-drenched flashbacks and feels himself being sucked into a twilight world that he doesn’t understand but that is irresistibly attractive. When he eventually finds out what goes on in the room below Cloud 9, Michaels’ life will never be the same again.

A young couple on a motorway journey are drawn into a game of cat and mouse with a truck driver when they see something disturbing in the back of his vehicle.

Van Damme plays a dirty cop who is hooked on heroin, and everyone dislikes him. Because of an accident he is put into a coma, and comes out of it a better person. He wakes up wanting to put things right.