A whisper among the sprawling forests and mill towns of central Newfoundland. A body found on the side of a river brings together a reclusive fur trapper and a heartsick mother-to-be. Scott is lonely and desperate to give himself meaning. Mona is strong-willed, but frustrated by her fragility. As a reluctant dependence blossoms the pair find themselves wading into violence, answering for the debts of a dead man. Stalked by outlaws, they plan an exit.

A blood feud divides a small town in rural Newfoundland.

This debut feature from Newfoundland’s G. Patrick Condon (Infanticide, Audition) is an inspired, meta take on the classic “cabin in the woods” horror trope. After squandering the money lent to him by a mysterious cinematic organization, a creatively frustrated writer / director, G. Patrick Condon, played by Stephen Oates (Frontier, Riverhead), has to take matters into his own hands by locking aspiring actress Grace (MJ Kehler) and the rest of the cast of actors in a rented house filled to the brim with security cameras and a script-spitting dot matrix printer. As time moves on, Condon slowly becomes the villain in his own movie by playing off the actor’s need to give the best performances they possibly can, while also satisfying his increasingly sinister demands; even if it kills them. Part Milgram Experiment, part A Cabin in the Woods, G. Patrick Condon’s Incredible Violence will have audiences talking for years to come.

Pro-boxer Tommy “Little Dog” Ross (JOEL THOMAS HYNES), the favourite to win a Championship Belt, has a world-class meltdown in the middle of the fight and walks out of the ring. We meet up with him again five years later, living a life of general self-destruction, when he is caught on video in a bar fight, prompting old rival Rico “Havoc” St. George (DWAIN MURPHY) to challenge him to a title rematch. Tommy struggles to get the noise of his strong-willed family out of his head in order to make the decision of whether or not to get back in the ring.