Initiated by the Hong Kong Performing Artists Association and the Hong Kong Film Workers Association, ten film companies in Hong Kong (China Star, Anle Film, Emperor Films, Oriental Films, Media Asia Films, Meiya Films, World Films, Shaw Brothers, Sun Entertainment Culture , Huanyu Film) and the Hong Kong Film Development Council’s “Film Production Financing Project”. It tells about a quiet afternoon when the Gurney Hotel suddenly detected a suspected case. The epidemic prevention center ordered a total blockade. All guests staying in the hotel must accept Mandatory quarantine for 14 days. Everyone is isolated in the hotel, and the relationship between people is getting closer unconsciously. Everyone has lived through difficult times together, and learned to cherish what may be the last time to get along with each other.

After finishing the open examination for Form 5 students and applying for an adult identity card, Yoyo, eighteen, departs for London to meet a guy introduced by her well-meaning parents in Britain. The guy, named Cheung, is in his thirties. Yoyo’s and Cheung’s grandfathers were wartime buddies. They swore to have their unborn babies get married when they grew up. However, the babies turned out to be both women. The two women are now mothers. They come across each other again and want to make their fathers’ wish come true, so they arrange for Yoyo and Cheung to meet in London. Yoyo and Cheung promise to get marry in order to please their mothers. But on the wedding day, they also sign a divorce agreement which is effective one year after their marriage.

Flora Lau’s debut feature is a beautifully formed, subtle film that focuses on the lives of two people with very different prospects – a wealthy Hong Kong woman and her mainland Chinese chauffeur – both trying to cope with life’s unexpected dramas. Anna (Carina Lau) struggles to maintain appearances with her status-conscious friends after her husband mysteriously vanishes. Fai’s (Chen Kun) wife is heavily pregnant with their second child, has no health care entitlements in Hong Kong and cannot give birth in their homeland without incurring penalties for breaching the one-child policy. While their daily routines intersect, their fates only momentarily converge and Lau elegantly critiques the social contradictions at play by paralleling their predicaments rather than constructing drama between the two protagonists. (Source: LFF programme)

A takedown of capitalist corruption and greed that’s savvily packaged as a song-and-dance extravaganza.

In a construction site under the full moon, construction workers dig too deep and inadvertently wake up Joe (Alex Lam), a vampire that has been lying underground for a century. Dazzled by the vibrancy of a modern city at night, Joe wanders around and runs into Apple (J. Arie), a jilted girl planning to kill herself. Eager for a taste of blood, Joe follows her home and helps her and her grandmother get rid of thugs sent by a real estate developer who wish to buy them off. What started as a battle for property turns out to be a battle among vampires.