Modern dance is an evocative narrative tool in Georgia Parris’ debut, which investigates a young woman’s identity and the complex relationship she has with her mother and sister.

Set in 1952, as England prepares for the coronation, The Scapegoat tells the story of two very different men who have one thing in common – a face.

The story of the penniless Mary Thorne, who grows up with her rich aunt/cousins at Greshamsbury Park estate.

Five strangers board a train and are joined by a mysterious fortune teller who offers to read their Tarot cards. Five separate stories unfold: An architect returns to his ancestoral home to find a werewolf out for revenge; a doctor discovers his new wife is a vampire; a huge plant takes over a house; a musician gets involved with voodoo; an art critic is pursued by a disembodied hand.

The film is inspired by the story of a young couple’s battle to keep their family together when the husband is diagnosed with a rare and brutal disease.

In 1909, Maurice Hall (James Wilby) enters Cambridge, where he befriends wealthy Clive Durham (Hugh Grant). Clive confesses he is sexually attracted to Maurice, who realizes he is a homosexual when he begins to return Clive’s feelings. The two embark on an intense but chaste affair to avoid tarnishing Clive’s reputation, but eventually the relationship ends, and Clive marries Anne (Phoebe Nicholls). While visiting Clive, Maurice is drawn toward his friend’s servant, Alec Scudder (Rupert Graves).

A lady has her prim and proper life turned upside down after discovering her husband’s affair.