Marina Stephenson Kerr
After the death of his father, a brilliant college student returns to his family home where he learns that the horrors from his childhood aren’t as dead and gone as he once thought.
At the prestigious Fairfield Academy, an elite boarding school for girls, six friends jokingly engage in a late night ritual, calling forth the spirit of a dead former student who reportedly haunts their halls. Before morning, one of the girls is dead, leaving the others wondering what they may have awakened.
Two college sweethearts reconnect while coordinating a wedding just in time for the holidays.
When a morning show producer makes a New Year’s resolution to say yes more, she crosses paths with a confirmed Yes man who just might hold the key to her biggest story and to her heart.
Allison Bennet, along with her daughter Olivia and mother Martha, run a bakery in the small mountain town of White Pines, Tennessee. When Matthew, a charming real estate developer, tries to buy the town for a corporate ski resort, Allison and the townspeople must work together to prevent that from happening. And just when the Bennet ladies seem out of luck, an unexpected visitor – with a well-known sweet tooth for cookies and milk – comes to the bakery and may in fact be the key to solving everything.
A woman and her first love plan a Christmas Eve show in hopes of saving the local theater.
At 16 Ashley was forced to give up her daughter. 18 years later, on the eve of their meeting for the first time, the girl disappears without a trace. The only person helping Ashley is Jake, her old boyfriend. Their relationship is tested when Jake discovers that he’s also the girl’s father.
To remedy his financial problems, a travel agent has his eye on a frozen corpse, which just happens to be sought after by two hitmen.
A hyper-repressed and schlubby accountant (Jonas Chernick) strikes a deal with a worldly but disorganized stripper (Emily Hampshire): he’ll help her with her crushing debt if she helps him become a better lover. Sharp direction by the versatile Sean Garrity and a very funny script by Chernick ensure for an uproarious — and surprisingly educational — sex comedy. (TIFF)
JONAH, an unemployed gambler, takes his estranged pot-smoking teen-aged daughter AURORA on a dangerous road trip to Churchill, Manitoba to show her the magnificent Northern Lights – before her vision disorder renders her completely blind.
Confined to an asylum for the criminally insane for the past four years, Nica Pierce is erroneously convinced that she, not Chucky, murdered her entire family. But when her psychiatrist introduces a new therapeutic “tool” to facilitate his patients’ group sessions — an all-too-familiar “Good Guy” doll with an innocently smiling face — a string of grisly deaths begins to plague the asylum, and Nica starts to wonder if maybe she isn’t crazy after all. Meanwhile, Andy Barclay, Chucky’s now all-grown-up nemesis from the first three Child’s Plays, races to Nica’s aid. But to save her he’ll have to get past Tiffany, Chucky’s long-ago bride, who will do anything, no matter how deadly or depraved, to help her beloved evil devilish doll.
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