Lyndsey Marshal
In Transylvania in 1897, the blood-drinking Count is drawing his plans against Victorian London. And be warned: the dead travel fast.
A teenage girl comes to terms with the unexplained death of the boy next door.
A three-part drama set in the trauma unit of a London hospital, a grieving father blames a high-achieving trauma consultant for the death of his teenage son.
The story of Claire Church, a former police officer who moves away to the remote Western Isles in an attempt to escape the past and violence that still haunts her. Soon, Claire is pulled back into an investigation she thought she long left behind, by her former lover and colleague DCI John Hind and his new DS Anthony Boyce.
“The Hours” is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
Three generations of the rowdy Cutler family live as outlaws in some of Britain’s richest countryside – hunting hares, ram-raiding stately homes, and taunting the police. Struggling to retain a way of life fast becoming extinct, Chad Cutler ends up caught between his father’s archaic principles and trying to do right by his kids, whilst the full force of the law is finally catching up with him.
The Young Visiters, written in twelve days by nine-year-old Daisy Ashford in 1890, is a surreal blend of naiveté, precocious perception and inadvertent social satire.
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