One wild night, a deeply repressed man, the twink who gives him a happy ending, and all the lives they ruin along the way.

A dysfunctional family moves from the city to a small town into a house in which terrible atrocities have taken place. But no one seems to notice except for Patricia “Pat” Phelps, who’s convinced she’s either depressed or possessed – turns out, the symptoms are exactly the same.

On the cusp of his 30th birthday, Jonathon Larson, a promising young theater composer navigates love, friendship, and the pressures of life as an artist in New York City.

Ms. White Light is the story of Lex Cordova, a young woman who counsels terminally ill clients that have trouble letting go. While proving uniquely talented in her ability to connect with the dying, Lex is at a total loss when it comes to dealing with everyone else. When Valerie, a sharp-tongued free spirit who simply has no time for her own mortality, refuses to play by Lex’s rules, Lex is forced to question her own decisions, and must decide if the business of dying is truly worth it…even at the cost of living her life.

Who’s the Boss? is an American sitcom created by Martin Cohan and Blake Hunter, which aired on ABC from September 20, 1984 to April 25, 1992. Produced by Embassy Television, in association with Hunter-Cohan Productions, and Columbia Pictures Television, the series starred Tony Danza as a retired major league baseball player who relocates to Fairfield, Connecticut to work as a live-in housekeeper for a divorced advertising executive, played by Judith Light. Also featured were Alyssa Milano, Danny Pintauro, and Katherine Helmond.

The show received positive reviews throughout most of its run, becoming one of the most popular sitcoms of the mid-to-late-1980s. The series was nominated for more than forty awards, including ten Primetime Emmy Award and five Golden Globe Award nominations, winning each one. Also very successful in the ratings, Who’s the Boss? consistently ranked in the top ten in the final primetime ratings between the years of 1985 and 1989, and has since continued in syndication worldwide.

A satire about two struggling actresses who escape into a fantasy world to cope with rejection and hone their craft. Convinced their mysterious new neighbor is a talent agent, they take him hostage and demand acting careers as ransom.

An investigative reporter Nellie Bly, who’s on a mission to expose the deplorable conditions and mistreatment of patients at the notorious Women’s Lunatic Asylum, and feigns mental illness in order to be institutionalized to report from the inside. The movie is an account of actual events surrounding Nellie’s stay beginning after she has undergone treatment, leaving her with no recollection of how she came to the asylum or her real identity.

A right-wing talk show host’s life takes a sudden turn when his 16-year-old niece comes crashing into his life.

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A successful defense lawyer at a boutique firm becomes romantically involved with a client who may or may not be guilty of a brutal crime.

An LA family with serious boundary issues have their past and future unravel when a dramatic admission causes everyone’s secrets to spill out.

Smart but wholesome Betty embraces her unique appearance and independent attitude in the cutthroat world of New York fashion. With the help of her proud yet far-from-glamorous family from Queens, Betty will continue to have big dreams and deal with any obstacle in her own unique style.

When an affluent matriarch gathers her dysfunctional family for a holiday at their Northern California lake house, her carefully constructed weekend begins to come apart at the seams, leading her to question her own role in the family.

We’ll Never Have Paris is a clumsy and at once human account of screwing up on a transcontinental level in a noble effort to win back “the one.”

In this animated retelling of the story from the Bible’s Book of Genesis, Joseph’s gift of dream interpretation and his brilliantly colored coat inspires jealousy in his brothers.