Jim Daly

Pirate Islands: The Lost Treasure of Fiji

Pirate Islands: The Lost Treasure of Fiji

Pirate Islands: The Lost Treasure of Fiji

IMDb: 5
2007
min

AustraliangamingchampionTylercametoFijitostarinthefancypresentationofanuneditedPiratesIslandgameandhopefullyscorewithgroupies,buthisjealous,smart,mischievouskidbrotherMarty,whofeelsneglected,notonlytriestocheatwithcodeshedownloaded,whenthevirtualrealityroomgoeswildthebrothersandtwogirlparticipantsgetsomehowtransportedintothegame,onaFijianislandwithnativechiefSol’sidyllicvillageandcaptainBlackheart’spirates,wholookforanEgyptianPharoah’sfabulous,enchantedtreasure.Thekidssoonrealizetheonlywaytogetbacktotheirreallivesiswinningthegame,butMartydecidestoseizetheopportunitytobeat’bad’bigbrotherbigtimebysidingwiththepiratesinthetreasure-hunt,yetwhenitcomesdowntoitneithercanseehisbrothercometophysicalhurt…There’salsoamutinouspirate,thetauntingghostSaltyBenandamagicaltreasuremapwithevenspookierproperties,soadventureandsurprisesare…WrittenbyKGFVissers

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Thunderstone

Thunderstone

Thunderstone

IMDb: 7.6
1999
min

The year is 2020. Fifteen-year-old Noah lives with his family in the futuristic underground community of North Col. The world above is a frozen wasteland after a massive comet strike destroyed all other life in the world including the animals. One night, he accidentally time travels to the future and finds himself trapped in the year 2085 in a desolate desert place called Haven with a group of children, the Nomads, led by Arushka.

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Everynight… Everynight

Everynight… Everynight

Everynight… Everynight

IMDb: 7.1
1994
92min

Is an Australian drama film directed by Alkinos Tsilimidos and released in 1994. Based on a play of the same name, written by Ray Mooney, the film details the early life of contract killer Christopher Dale Flannery and is set inside Melbourne’s HM Prison Pentridge’s maximum security H Division.[1] Filming was undertaken at HM Prison Geelong. Dale, a remandee, is awaiting a court hearing and yet to be sentenced, highlighting the horrific injustice of the repeated beatings he’s subjected to. Gradually Dale becomes indifferent to the bashings and horrors of prison life and develops an alternative, subversive way to exist and express his rage. As Dale walks defiantly from the prison in the last scene to be tried, the failure of the correctional system to produce docile, disciplined bodies pulls its last punch. Even if the system has enframed Dale he has maintained his sanity and his voice.

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