We arrive with New York heiress Lucy Savage fresh off the transatlantic steamer and ready for love and marriage in exotic climes. But when her husband Hugo does not receive her in the way she expected, she spins off into the surprising, diverse and degenerate world of Tangier in 1955.

Family film based on the much loved picture book written by Julia Donaldson and illustrated by Axel Scheffler. ZOG is the story of a keen young dragon who wants to learn how to fly, roar, and breathe fire in his first years at Dragon School. He is desperate to impress his teacher and win a golden star, but he’s accident prone and each year he has to be helped by a kind young girl who patches up his bumps and bruises. Then in Year Four, he has to capture a princess – can the young girl help him with his trickiest challenge yet? A Christmas viewing treat for all the family from four-time Oscar-nominated producers Magic Light Pictures.

The follow-up to ‘Twenty Twelve’ as Ian Fletcher takes up the position of ‘Head of Values’ at the BBC. His task is to clarify, define, or re-define the core purpose of the BBC across all its functions and to position it confidently for the future, in particular for Licence Fee Renegotiation and Charter Renewal in 2016 and 2017 respectively.

As she hurls herself headlong at modern living, Fleabag is thrown roughly up against the walls of contemporary London, sleeping with anyone who dares to stand too close, squeezing money from wherever she can, rejecting anyone who tries to help her, and keeping up her bravado throughout.

Comedy soap opera re-imagining the lives of the British Royal Family as you have never seen them before.

Emily Walters is an American widow living a peaceful, uneventful existence in the idyllic Hampstead Village of London, when she meets a local recluse, Donald Horner. For 17 years, Donald has lived—wildly yet peacefully—in a ramshackle hut near the edge of the forest. When Emily learns his home is the target of developers who will stop at nothing to remove him, saving Donald and his property becomes her personal mission. Despite his gruff exterior and polite refusals for help, Emily is drawn to him—as he is to her—and what begins as a charitable cause evolves into a relationship that will grow even as the bulldozers close in.