Frank Silvera
The film revolves around Davey Gordon (Jamie Smith), a 29 year old welterweight New York boxer in the end of his career, and his relationship with a dancer and her violent employer.
The story of Mexican revolutionary Emiliano Zapata, who led a rebellion against the corrupt, oppressive dictatorship of president Porfirio Diaz in the early 20th century.
A Mexican-American sheriff must resort to violence against a powerful rancher in order to get just compensation for the pregnant Indian widow of a wrongly killed black man.
When an army scout retires to a farm in New Mexico he takes pity on a white woman and her half-breed son recently rescued from indians, and invites them to join him. He does this even knowing the child’s father is a feared and murderous Apache and that sooner or later a showdown is almost inevitable.`
Chicago February 14th 1929. Al Capone finally establishes himself as the city’s boss of organised crime. In a north-side garage his hoods, dressed as policemen, surprise and mow down with machine-guns the key members of Bugs Moran’s rival gang. The film traces the history of the incident, and the lives affected and in some cases ended by it.
John Russell, disdained by his “respectable” fellow stagecoach passengers because he was raised by Indians, becomes their only hope for survival when they are set upon by outlaws.
In this third remake of legendary Japanese director Akira Kurosawa’s hugely influential The Seven Samurai, the seven gunslingers (George Kennedy, Michael Ansara, Joe Don Baker, Bernie Casey, Monte Markham, Fernando Rey and Reni Santoni) liberate Mexican political prisoners, train them as fighters and assist them in a desperate attack on a Mexican fortress in an attempt to free a revolutionary leader.
Nineteenth century Wyoming: the wild West. Mild-mannered Tom Healy has a two-wagon theater troupe hounded by creditors because Angela, his leading lady and the object of his affection, constantly buys clothes. In Cheyenne, they meet with applause, so they hope to stay awhile: the theater owner likes Angela, and she keeps him on a string. She’s also the object of the attentions of Mabry, a gunslinger who’s owed money by the richest man in Bonanza. Complications arise and the troupe heads for Bonanza, through hostile Indian territory. Is the troupe doomed to a peripatetic life, is Mabry in danger, and does Tom stand a chance with Angela, a hellion in pink tights?
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