The Hitter, the Hacker, the Grifter and the Thief are together again, this time with help from a new tech genius and corporate fixer, to take on a new kind of villain. From the man who created an opioid crisis from the comfort of his boardroom to the shadowy security firm that helps hide dangerous secrets for a price – when someone needs help, they provide… Leverage.

A dark comedy following a multicultural mix of men and women deployed as Army medics to a forward operating base in Afghanistan nicknamed “The Orphanage.” Together, they endure a dangerous and Kafkaesque world that leads to self-destructive appetites, outrageous behavior, intense camaraderie and occasionally, a profound sense of purpose.

Nick Pearson is a life-long bachelor who is finally settling down. On the brink of his wedding he is surprised to find he has a 13 year old son who has come to find his him through the help of a psychic. The problem is Nick can’t stand kids and would happily send the boy back to live with his biological mother, except that no one has any clue who that might be. Having nowhere to turn Nick must hit the road with the boy and the neurotic, inept psychic to track down dozens of his disgraced ex-flings to whom he must ask the awkward question – with very mixed results.

Leverage follows a five-person team: a thief, a grifter, a hacker, and a retrieval specialist, led by former insurance investigator Nathan Ford, who use their skills to fight corporate and governmental injustices inflicted on ordinary citizens.

John Ellis, a disillusioned suburban ER doctor, who finds his existence transformed when he intervenes in a drive-by shooting, saving a young boy’s life and killing one of his attackers. When he learns the boy is still marked for death he finds himself compelled to save him at any cost and discovers that his life and his outlook on medicine may never be the same.

Anna suffers from agoraphobia so crippling that when a trio of criminals break into her house, she cannot bring herself to flee. But what the intruders don’t realize is that agoraphobia is not her only psychosis.

A shy twenty year old becomes a huge fan of Federico Fellini’s films and sets out to find the director.