An anthology film set in a brothel, Bordello Death Tales incorporates three shorts by young horror directors, linked by a sinister venue: Madame Raven’s bordello. The bloodletting begins in James Eaves’ The Ripper featuring a mild-mannered psychopath. The second story, Stitch Girl, is Al Ronald’s homage to Bride of Frankenstein. The final short is Pat Higgins’ Vice Day showing how a politician has developed a way of keeping his private life away from the prying eyes of journalists.
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Delving into our collective nightmares, this horror-documentary investigates the origins of our most terrifying urban legends and the true stories that may have inspired them.
The movie features three ghost stories set in Hong Kong, beginning with Vivian, who, after moving into a new place, gets involved in spooky incidents with her neighbours. The next story follows Scarlet, who unknowingly receives a tattoo with sinister secrets. The final story is about a group of university students, who awaken the vengeful spirits of a dead couple while live-streaming their ghost hunting expedition.
Convicted felon Max Truemont (played by Josh Holloway) is hired to execute a kidnapping of the son of one of the richest women in the state. Along with his fiancée Roxanne (played by Sarah Wayne Callies), Max joins two other strangers who were also hired by the same absent mastermind behind the kidnapping.
Cocky researcher, Sebastian Caine is working on a project to make living creatures invisible and he’s so confident he’s found the right formula that he tests it on himself and soon begins to vanish. The only problem is – no-one can determine how to make him visible again. Caine’s predicament eventually drives him mad, with terrifying results.
As a killer named Cinderhella stalks the student body at the high school in Grizzly Lake, a group of co-eds band together to survive while they’re all serving detention.
A mysterious man arrives in a small town where a series of grisly, ritualistic murders have happened. After saving young woman’s life, he informs her that she’s being hunted by supernatural creatures and that he’s come to protect her.
A wild animal attacks six medical students on a weekend hike in the woods. One by one, they become infected with a “feral disease”, turning them into rabid, bloodthirsty creatures, and the vacation becomes a nightmare as they fight to survive each other.
Writer/director Curtis Harrington does an admirable job working around the severe budget limitations of the 1961 psychological chiller Night Tide. Sailor Johnny (Dennis Hopper) falls in love with carnival-girl Mora (Linda Lawson), despite warnings that Mora is a “jinx” who has brought about the deaths of two previous suitors. Mora performs a mermaid act at the carnival, but to her it’s no act: she believes herself the descendant of an underwater race that must kill by the light of the full moon to survive. One evening, Mora tries to kill Johnny, prompting his quick exit. He returns some time later to discover, all too late, that the film’s real villain is the jealous carney owner (Gavin Muir).
Ann, a reclusive elegant lady, with an obsession for butterflies, is befriended by the eerily beautiful young Alice. Using her seductive innocence, Alice establishes a disturbing mother daughter relationship with Ann. Lured into her twisted world, Ann soon discovers that she is not the only recipient of the girl’s affections. Confronted by Alice’s other lady friends, Ann’s shock awakens a dark, hidden past, unchaining a spiral of madness: a series of brutal and bizarre crimes that Ann will have to commit to preserve her harmless and deceptive appearances. The only one who recognizes there’s something unsettling about Ann, is nine year old Julie, her next door neighbour’s daughter. With the inevitable curiosity of a child, Julie begins to explore the corners of Ann’s apartment, discovering a dark secret hidden in the walls of the forbidden butterfly room. No one believes what she’s seen except for Ann’s daughter. Horrified, she realises that the fate of the young girl lies in her hands.
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