HyperNormalisation tells the extraordinary story of how we got to this strange time of great uncertainty and confusion – where those who are supposed to be in power are paralysed – and have no idea what to do. And, where events keep happening that seem inexplicable and out of control – from Donald Trump to Brexit, the War in Syria, the endless migrant crisis, and random bomb attacks. It explains not only why these chaotic events are happening – but also why we, and our politicians, cannot understand them.
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From a young age Magnus Carlsen had aspirations of becoming a champion chess player. While many players seek out an intensely rigid environment to hone their skills, Magnus’ brilliance shines brightest when surrounded by his loving and supportive family. Through an extensive amount of archival footage and home movies, director Benjamin Ree reveals this young man’s unusual and rapid trajectory to the pinnacle of the chess world. This film allows the audience to not only peek inside this isolated community but also witness the maturation of a modern genius.
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The images could be taken from a science fiction film set on planet Earth after it’s become uninhabitable. Abandoned buildings – housing estates, shops, cinemas, hospitals, offices, schools, a library, amusement parks and prisons. Places and areas being reclaimed by nature, such as a moss-covered bar with ferns growing between the stools, a still stocked soft drinks machine now covered with vegetation, an overgrown rubbish dump, or tanks in the forest. Tall grass sprouts from cracks in the asphalt. Birds circle in the dome of a decommissioned reactor, a gust of wind makes window blinds clatter or scraps of paper float around, the noise of the rain: sounds entirely without words, plenty of room for contemplation. All these locations carry the traces of erstwhile human existence and bear witness to a civilisation that brought forth architecture, art, the entertainment industry, technologies, ideologies, wars and environmental disasters.
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