Elizabeth is on the verge of losing her grip on life after she leaves her emotionally fraught home to start college. Quickly, her life takes a turn for the worse: She clashes with her roommate and decides her boyfriend, Rafe, is her sole salvation. Her psychiatrist prescribes Prozac … but is that her only choice?

Two Chicago couples struggle to keep their love alive when secrets and long-simmering resentments rise to the surface.

Carlos is a man who goes to a coffee shop-library to take a cup, where Irene is reading a book. Not a reason for it, Irene close to Carlos and talks with him, starting a friendship with a little rules: no pasts, no birth names, no modern ways to contact between them (as Internet or similar), and finally not falling in love each other. Calling themselves Hada Chalada (‘Crazy Fairy’) and Duende Chiflado (‘Mad Goblin’), both pass the days walking around the city engaged with magic, surrealist and funnies conversations about life, love and themselves, at the same time that Carlos tries to end his new script with his friend Cristóbal, and eccentric writer obsessed with Japan.

Sixteen-year-old Billie’s reluctant path to independence is accelerated when her mother reveals plans for gender transition, and their time together becomes limited to Tuesdays. This emotionally charged story of desire, responsibility, and transformation was filmed over the course of a year—once a week, every week, only on Tuesdays.

Hildy, the journalist former wife of newspaper editor Walter Burns, visits his office to inform him that she’s engaged and will be getting remarried the next day. Walter can’t let that happen and frames the fiancé, Bruce Baldwin, for one thing after another, to keep him temporarily held in prison, while trying to steer Hildy into returning to her old job as his employee.

When fiction novelist Adrian Aytese falls terminally ill, he lets his sister Paige in on a secret book he scripted in a journal. The book details his exhaustive search for a mysterious lady of his past dreams. A special sand given to him by his elder friend Bud is intended to help Adrian sleep more peacefully, but instead, Adrian’s dreams and realities begin to lose boundaries as his darkest fears and happiest memories collide. As Paige delves deeper, she realizes that the book may not be as fictional as she thought – and Bud may not be who she thinks he is.

Inspired by author Eric Schlosser’s New York Times best-seller of the same name, director Richard Linklater’s ensemble drama examines the health issues and social consequences of America’s love affair with fast food and features an all-star cast that includes Greg Kinnear, Ethan Hawke, Kris Kristofferson, Patricia Arquette, and Luis Guzman.

Thanksgiving is a time when families get together to eat good food and share in the spirit of thankfulness. That’s of course, a best case scenario. Some families are so tangled in a web of drama from financial issues, relationships, and so on that lead to big blow outs or worse, long awkward silences. This is the story of one of those families.

A kidnapped mobster (Vittorio De Sica) persuades his captors to help him rob platinum ingots from a train.

The meeting of two lonely, marginal souls. There is Henri, a man in his 50s, limp, resigned, somewhat alcoholic. And Rosette, a (slightly) retarded woman who dreams of love, sexuality, normality

Written and directed by Windsor’s own Mike Stasko, Boys vs. Girls is loosely based on his experiences at a summer camp during the 90s. When camps around the country were shutting down every year and Camp Kitchikewana made the economically necessary move to turn co-ed, the result was a very real clash of the sexes. In the summer of 1990, the film sees Camp Kindlewood forced to go co-ed for the first time in its seventy-year existence. Camp Director Roger (Colin Mochrie) tries to keep the camp off the corporate chopping block, but after an awkward encounter between head counsellors Dale (Eric Osborne) and Amber (Rachel Dagenais), all bets are off. Rallying their sides in an attempt to win back their camp and gain dominance over what they feel is rightfully theirs, this battle of the sexes sets off a series of pranks, fueled by camp caretaker Coffee (Kevin McDonald), as the boys and girls fight for their summertime home.

A matriarch of a dysfunctional family is pushed to her tipping point by the disappearance of her son.