A couple buys a house from The Slumlord Tapes, infamous for hidden cameras and a psycho landlord. It’s not as safe as they tell themselves.
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Each year dozens of encounters with upright canids are reported in North America. These beings often behave in similar ways with many reports recounting a creature that is aggressive, ghastly, and disturbing. While many theorize that the Dogman is some sort of unidentified species of animal, many believe that what they were confronted by was something else. Something more.
After being traumatized by his brother Billy’s murderous rampage years earlier, Ricky Caldwell has become a serial killer himself and is now living in a mental hospital. Relating his story to a psychiatrist, Ricky recounts the details of their murder sprees and vows to avenge his brother’s death.
When a film crew moves into an abandoned psychiatric hospital with a shadowy past to shoot a low budget horror film, they get more than they bargained for. The late nights and lack of sleep begin to take a toll, and the longer this crew works, the more the leaky, wet building seems to be coming back to life, feeding off its new inhabitants. As the shoot wears on, members of the crew exhibit increasingly strange behavior leaving those still sane realizing they need to get out of this place before they too succumb to the building’s infectious hold, the only problem, the old hospital is not ready to let them go.
Ten movie reviewers are invited to a party by the host of a website devoted to horror films. The party is in full swing when the power – and the lights – abruptly go out. A mysterious, black-hooded figure has cut the main wiring. The party’s over. The terrified group try to evacuate the building, only to find that they are trapped. Can they hide from the demented killer? Or are they all destined to become targets of the DEAD HUNT? This two-disc special edition DVD set contains the movie, a “Behind the Scenes” featurette, deleted scenes, two alternate endings, Bloopers, a stills gallery, and the audio commentary with co-directors Joe Ripple and Don Dohler. Sadly, this was Don Dohler’s last film, as he passed away from lung and brain cancer in December, 2006.
Picking up directly where the previous film left off, the story follows Riley, one of the last people to come in contact with Samantha, as he scrambles to track down those responsible for the outbreak before the highly contagious disease not only consumes his body, but the world as we know it.
Publisher Will Randall becomes a werewolf and has to fight to keep his job.
The beauty transgender Erika arrives in an old house in the country during a stormy night. She is escaping from her violent boyfriend. At first Erika find peace, but day by day strange things begin to happen: voices, shadows – And a man of the nearest village says to Erika that the house is known in the village as “The house of murderers” since the Second World War.
An alcoholic mother trying to flee her life, moves to a new house with her young son where she must battle her addiction as she is confronted by a real-life monster.
A group of thieves break into an industrial complex to pull off a jewelry heist, but stumble upon a hidden laboratory where unorthodox SARS and Ebola experiments are taking place on stolen cadavers, who soon mutate into blood-thirsty zombies.
This impressive doco disperses the fog of shame and sensationalism to shed light on the tragedy that made international headlines in 2007 when a young Wainuiomata woman died during a mÄkutu lifting.
Sexual Parasites, Disembowelment, Zombies, Serial Killers, Demon Children, Violent Vixens, Rabid Office Workers and Angry Embryos all spring to life from the flesh covered sketch books featured in Anthony G. Sumner’s (Gallery of Fear) SLICES OF LIFE.
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