Audra’s graduation gift is her dream house, but it soon becomes a living nightmare when some uninvited guests come to her homecoming party who aren’t very subtle about the fact they don’t approve of the home’s new owner.
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On the surface, Saya is a stunning 16-year-old, but that youthful exterior hides the tormented soul of a 400-year-old “halfling.” Born to a human father and a vampire mother, she has for centuries been a loner obsessed with using her samurai skills to rid the world of vampires, all the while knowing that she herself can survive only on blood like those she hunts.
Eight medical students on a ski trip to Norway discover that Hitler’s horrors live on when they come face to face with a battalion of zombie Nazi soldiers intent on devouring anyone unfortunate enough to wander into the remote mountains where they were once sent to die.
A tender tale of a tribe of sexy ladies who keep a toothy, terrifying secret beneath their bikini tops and the young woman who is slowly, surely starting to join their ribald ranks.
The spirit of a comatose teenage girl possesses the body of a newcomer to her girls boarding school to enact bloody revenge against the elitist coeds responsible for her condition.
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Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns
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