When a young soldier, newly returned from war, gets caught up in a drug bust, he is recruited by the authorities to go undercover in a notoriously dangerous prison in order to figure out what is really going on.
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Joe Huff (Brian Bosworth) is a tough, loner cop with a flair for infiltrating dangerous biker gangs. The FBI blackmail Joe into an undercover operation that entails infiltrating “The Brotherhood” – a powerful Mississippi biker gang linked in the murder of government officials as well as dealing drugs with the mafia.
Lynn Markham moves into her late husband’s beach house…the morning after former tenant Eloise Crandall fell (or was pushed) from the cliff. To her annoyance, Lynn finds both her real estate agent and Drummond Hall, her muscular beachcomber neighbor, making themselves quite at home. Lynn soon has no doubts of what her scheming neighbors are up to, but she finds Drummond’s physical charms hard to resist. And she still doesn’t know what really happened to Eloise.
Lucky Bastard is a “found footage” thriller about a porn website run by Mike (Don McManus) that invites fans to have sex with porn stars. Jay Paulson plays Dave, an eager young fan given a chance to have sex with the fabulous Ashley Saint (Betsy Rue). But everyone gets more than they bargained for in the seemingly mild-mannered Dave… with gruesome results. The film is captured by the “Lucky Bastard” porn cameras for a fresh take on the “found footage” genre
Bart Allison arrives in Sundown after a three year search for Tate Kimbrough. Although it is Kimbrough’s wedding day, Allison makes it clear he blames him for the death of his wife and is out to kill him. A shoot-out in the church puts the wedding on hold and Allison and his trail-buddy hole up in the livery stable. But the reasons for his actions become increasingly unclear, while the town starts to wonder about the grip Kimbrough has over them.
In 2009 three young men were killed in a remote part of Yellowstone National Park. Authorities never found the murderer. He found them! Hours after the trio were gunned down, Dwayne Nelson confessed to the crime. Despite this Nelson was allowed to go free because of an American Constitution loophole. Documentarian Julian T. Pinder travels to Yellowstone in a compelling chase for truth behind a crime that should have rocked the nation. How did a guilty man go free? In his hunt for answers Pinder risks his own life when he finds evidence that could re-open the case years later.
The USS Enterprise crew explores the furthest reaches of uncharted space, where they encounter a mysterious new enemy who puts them and everything the Federation stands for to the test.
Alexia travels with her friend Marie to spend a couple of days with her family in their farm in the country. They arrive late and they are welcomed by Alexia’s father. Late in the night, a sadistic and sick killer breaks into the farmhouse, slaughters Alexia’s family–including their dog–and kidnaps Alexia. Marie hides from the criminal and tries to help the hysterical and frightened Alexia, chase the maniac, and disclose his identity in the end.
In lawless storm ravaged New Orleans, eleaguered Detective Sean Riley is trying to cope with the death of his young son and the abandonment of his wife. Facing a probable suspension from the department, Riley is teamed with a young homicide Detective, Will Ganz, to help solve a series of brutal murders that have plunged the city into a major gang war. The two quickly realize there is something far more sinister going on than either could have ever imagined.
The Last Victim is a Neo Western thriller set in the American southwest, following Sheriff Hickey trying to solve the worst case he has seen in his small town, likely caused by a violent local gang led by a fearsome criminal.
Tom Ripley – cool, urbane, wealthy, and murderous – lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin’s underworld pays a call asking Ripley’s help in killing a rival. Ripley – ever a student of human nature – initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who’s dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?
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