A psychological thriller surrounding the real murders of Manfred and Marísia von Richthofen orchestrated by their own daughter, Suzane, along with her boyfriend and brother-in-law, the Cravinhos brothers.
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At the age of 14, Carla is a wild and rebellious teenager. Living in a modest restaurant on the outskirts of a town with her young single mother, she skips school and passes the time with her friend Efraín. When a social worker realizes that Carla is five months pregnant, she is taken to ‘La Maternal’, a center for teenage mothers, to live with other young women like herself. Together with their babies, they will learn to cope with this new adult life for which they had no time to prepare.
A newly single New Yorker must re-locate to Florida for her dream job. She drives south with her widowed dad, her mom’s ashes in a coffee can, and a GPS with a mind of its own.
Introverted Weichung has been married to Feng for nine years. They have one son together, and Feng would like to have another child with him. One day Stephen, an old friend who now organises weddings, appears and encourages Weichung to return to the gay life he had previously. Anxious not to lose his wife, Weichung tentatively begins seeing a flight attendant behind Feng’s back.
A desperate writer fights for survival when the Mexican mob involves him in murder.
This year Christmas with the Whitfields promises to be one they will never forget. All the siblings have come home for the first time in years and they’ve brought plenty of baggage with them. As the Christmas tree is trimmed and the lights are hung, secrets are revealed and family bonds are tested. As their lives converge, they join together and help each other discover the true meaning of family.
Writer/director Curtis Harrington does an admirable job working around the severe budget limitations of the 1961 psychological chiller Night Tide. Sailor Johnny (Dennis Hopper) falls in love with carnival-girl Mora (Linda Lawson), despite warnings that Mora is a “jinx” who has brought about the deaths of two previous suitors. Mora performs a mermaid act at the carnival, but to her it’s no act: she believes herself the descendant of an underwater race that must kill by the light of the full moon to survive. One evening, Mora tries to kill Johnny, prompting his quick exit. He returns some time later to discover, all too late, that the film’s real villain is the jealous carney owner (Gavin Muir).
When Arthur Davis, a junior bachelor in the British secret service’s African section, is seen taking a file with him to meet his girlfriend Cynthia- the brass fears he may be the leak to Moscow, and allows Dr. Percival to terminate the ‘risk factor’ by poisoning to avoid a scandal. In fact Davis’s desk chief, Maurice Castle, is the double agent since the South African communists helped him smuggle out his black lover Sarah M., meanwhile his wife and mother of schoolboy Sam, to force him to cooperate with the Apartheid government. When Cornelius Muller, the South African official who failed to get him in Pretoria’s power, visits London for the anti-communist operation Uncle Remus, he points out Castle still is the natural suspect
After 20 years of touring, a roadie for a defunct 80s hair band returns home to live with his mother.
Three narratives (“Cutting Moments,” “Home” and “Prologue”) combine to create a shocking trilogy of modern American life, a portrait drawn with brushstrokes of hidden violence and disturbing cruelty. Directed by Douglas Buck, this unflinching film reveals what lies behind the drawn curtains of so-called “ordinary” households.
Story about the remarkable friendship between a reclusive writer and illustrator and a chaotic homeless man, whom he gets to know during a campaign to release two charity workers from prison.
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