The second film from Aarón Fernández is a Spain-Mexico-France co-production already screened as part of Films in Progress at the 60th edition of the Festival. On the desolate coast of Veracruz, young Sebastián, 17, has to run his uncle’s motel single-handed, renting rooms by the hour. That’s how he meets Miranda, a regular customer who goes there to wait for a lover who often arrives late, sparking a fleeting game of seduction between the two.

The Côte d’Azur. 1915. In his twilight years, Pierre-Auguste Renoir is tormented by the loss of his wife, the pains of arthritic old age and the terrible news that his son Jean has been wounded in action. But when a young girl miraculously enters his world, the old painter is filled with a new, wholly unexpected energy. Blazing with life, radiantly beautiful, Andrée will become his last model, and the wellspring of a remarkable rejuvenation. Back at the family home to convalesce, Jean too falls under the spell of the new, redheaded star in the Renoir firmament. In their Mediterranean Eden – and in the face of his father’s fierce opposition – he falls in love with this wild, untameable spirit… and as he does so, within weak-willed, battle-shaken Jean, a filmmaker begins to grow.

Head On is German director Fatih Akin’s story of the alcoholic Cahit and Turkish Sibel. Akin tells the story of a love that can never be between two people who are too alike to not be together.

A young Iranian man who is desperately trying to meet women who can secure his stay in Denmark. As time runs out, he falls in love and his past catches up with him. The film deals with themes of race, class, and the struggle for a better life.

Irish Republican Army member Fergus (Stephen Rea) forms an unexpected bond with Jody (Forest Whitaker), a kidnapped British soldier in his custody, despite the warnings of fellow IRA members Jude (Miranda Richardson) and Maguire (Adrian Dunbar). Jody makes Fergus promise he’ll visit his girlfriend, Dil (Jaye Davidson), in London, and when Fergus flees to the city, he seeks her out. Hounded by his former IRA colleagues, he finds himself increasingly drawn to the enigmatic, and surprising, Dil.

An intelligent pulse of electricity is moving from house to house. It terrorizes the occupants by taking control of the appliances, either killing them or causing them to wreck the house in an effort to destroy it. Then it travels along the power lines to the next house, and the terror restarts. Having thus wrecked one household in a quiet neighbourhood, the pulse finds itself in the home of a boy’s divorced father whom he is visiting. It gradually takes control of everything, badly injures the stepmother, and traps father and son, who must fight their way out.

Raised in a single parent family by his mother Nate Merritt, develops a friendship with a gay man whilst on leave from the US marines.

Sol, a bold fugitive lost in a dangerous post-apocalyptic desert world, searches for a missing woman named Catherine and her illusive captor, the Nomad King. With enemies at every turn, Sol’s only chance of finding Catherine is with the help of a rogue and mysterious wanderer, Cleo.

Terry Noonan returns home to New York’s Hells Kitchen after a ten year absence. He soon hooks up with childhood pal Jackie who is involved in the Irish mob run by his brother Frankie. Terry also rekindles an old flame with Jackie’s sister Kathleen. Soon, however, Terry is torn between his loyalty to his friends and his loyalties to others.

Three sto­ries that explore love, com­mit­ment, and loy­al­ty between cou­ples and friends. “Two for Din­ner” where a mar­ried cou­ple tem­porar­i­ly liv­ing in two dif­fer­ent loca­tions are more sep­a­rat­ed than they think. “Sail­ing Les­son” about a long-mar­ried cou­ple who spend a day on a sail­boat rekin­dling their romance… and unex­pect­ed events arise. “Late Lunch” where a young woman who recent­ly lost her moth­er gath­ers togeth­er a group of her moth­er’s friends to share mem­o­ries, with sur­pris­ing rev­e­la­tions.

Brooke (Julianna Guill), a young marketing executive, goes back to her hometown excited to relive her Christmas memories, while helping a struggling family-owned winery. Her marketing assignment involves an unlikely partnership with Tyler (Jon Corr), the charismatic, yet stubborn owner of the winery. Brooke quickly learns that the town’s Christmas spirit has disappeared due to a wine conglomerate buying out all of the local wineries. Determined to bring Christmas back to the town, Brooke and Tyler work together and discover they share more than a love for wine.

A car magnate watches his personal and professional life hit the skids because of his business and romantic indiscretions.