It is the end of an era. Marco, Bissoon and their friends have spent their lives working for a sugar factory that is due to close. Sugarcane is no longer profitable so it will soon be replaced by luxurious villas, golf courses and playgrounds for rich tourists, making this area forbidden for the working class. As their world seems to fall apart around them, some struggle to find their places in their strange new surroundings, while others decide to leave the country. For Bissoon, the closing of the factory brings frustration, emptiness and neo-colonial malaise. Meanwhile Marco gets intrigued by Devi, the wife of the authoritarian man overseeing the demolition of the factory. Continuing his work of putting Mauritius on the cinematic map, David Constantin tells a story of a move from tradition to modernity. In doing so, he offers a view behind the postcard façade of paradise, portraying the world less picture perfect than you might think.
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Jae-hoon recently breaks up with his girlfriend and he still cannot give her up. Whenever he gets drunk, it has become a daily routine to call her and act out of drunkenness. On the other hand, Sun-young also decides to break up with his boyfriend. But she holds a grudge against him. For them, it seems that the beginning and the end of a love affair are both difficult. Can they overcome from the previous romance and start the new one?
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On the night of 16 July 1942, ten year old Sarah and her parents are being arrested and transported to the Velodrome d’Hiver in Paris where thousands of other jews are being send to get deported. Sarah however managed to lock her little brother in a closed just before the police entered their appartment.Sixty years later, Julia Jarmond, an American journalist in Paris, gets the assignment to write an article about this raid, a black page in the history of France. She starts digging archives and through Sarah’s file discovers a well kept secret about her own in-laws.
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