Set within the Kaga Domain in the Edo Period. Oharu is an excellent cook and recognized for her skills. Due to her cooking talents, she marries Yasunobu, who is an heir in the Funaki family. The Funaki family serves as the cook for the Kaga Domain. Nevertheless, Yasunobu himself is a terrible cook. With the help of Oharu’s mother-in-law Mitsuru, she begins to teach Yasunobu how to cook.

A modern, dark-humored tale of greed, romance, and lost innocence in consumer-crazed, alienated society that functions as a harsh critique of society today without taking itself too seriously.

In a global pandemic, chronically ill Beth is forced to confront her personal demons in quarantine. When she answers a call from a mysterious man, an unlikely romance opens a lush, new cosmic world through astral projection.

One bullet. Three lives. Everyone pays. On an average Los Angeles day, a couple on the verge of divorce and a bullied teenager find their lives desperately changed when the boy’s illegal gun goes off.

World renowned journalist Sara Ogden is traversing the world in pursuit of carriers of a fatally dangerous “Stamp of Cain” in order to prevent seemingly unrelated events such as mass murders, turmoil, revolutions and chaos. She doesn’t even suspect how close she is to the edge of the abyss, when in her search she ends up in Belarus to meet face to face with the one, whom she has been searching for her entire life.

Three narratives (“Cutting Moments,” “Home” and “Prologue”) combine to create a shocking trilogy of modern American life, a portrait drawn with brushstrokes of hidden violence and disturbing cruelty. Directed by Douglas Buck, this unflinching film reveals what lies behind the drawn curtains of so-called “ordinary” households.

Five thought-provoking shorts imagine what Hong Kong will be like ten years from now. In Extras, two genial low-level gangsters are hired to stage an attack, but they’re mere sacrificial lambs in a political conspiracy. Rebels strive to preserve destroyed homes and objects as specimens in the mesmerizing Season of the End. In Dialect, a taxi driver struggles to adjust after Putonghua displaces Cantonese as Hong Kong’s only official language. Following the death of a leading independence activist, an act of self-immolation outside the British consulate triggers questions and protests in the searing yet moving Self-Immolator. In Local Egg, a grocery shop owner worries about his son’s youth guard activities and where to buy eggs after Hong Kong’s last chicken farm closes down.

Tsugumi Dozono (Nana Eikura) works at a large electronics company in Tokyo. She likes to spend long vacations at her grandmother’s house in the countryside. One day, her grandmother passes away and Tsugumi Dozono decides to live in her grandmother’s house while working from home. She finds a strange middle-aged man in the house. The man’s name is Jun Kaieda (Etsushi Toyokawa). Jun Kaieda tells Tsugumi that he is her grandmother’s ex-student and her grandmother gave him a key to the annex house. Tsugumi, who does not know the exact relationship between her grandmother and Jun, begins to live with him.

A retired detective Tony Zarra (Tony Sirico) is pushed into the world of crime after the murder of his younger brother.

Cynical reporter Charity (Amber Stevens West) gets the opportunity of a lifetime when her boss, Janet (Cheryl Ladd) assigns her to profile Erik Gallagher (Marco Grazzini), a handsome bachelor who organizes millions of dollars to help the less fortunate every Christmas.

A futuristic love story set in a world where emotions have been eradicated.

Marine officer Alexandra is tough enough to kick any guy’s ass in a bar fight, but there’s one opponent she can’t beat: military policy. When she returns to her conservative hometown from Iraq with a mysterious personal life, she finds herself charged with preparing a tempestuous teenage girl to boot camp.