Lifetime’s first-ever Christmas sequel to last year’s hit movie, Merry Liddle Christmas, Merry Liddle Christmas Wedding once again follows Jacquie Liddle (Kelly Rowland), as she and Tyler try to plan their perfect destination Christmas wedding. Naturally, Jacquie’s plans go awry when her boisterous family intervenes in her planning and her snooty wedding planner quits in protest. While nothing goes as initially planned, Jacquie and Tyler get a Christmas wedding more memorable than they could have ever dreamed.

After a long journey, Philip arrives at the Usher mansion seeking his loved one, Madeline. Upon arriving, however, he discovers that Madeline and her brother Roderick Usher have been afflicted with a mysterious malady: Roderick’s senses have become painfully acute, while Madeline has become catatonic. That evening, Roderick tells his guest of an old Usher family curse: any time there has been more than one Usher child, all of the siblings have gone insane and died horrible deaths. As the days wear on, the effects of the curse reach their terrifying climax.

14-year-old Leigh lives with her neglectful father on the outskirts of Brighton. She’s a talented gymnast, training hard for her first competition. When an older half-brother appears at her house one night, Leigh’s lonely existence is altered.

The career of a disillusioned producer, who is desperate for a hit, is endangered when his star walks off the film set. Forced to think fast, the producer decides to digitally create an actress “Simone” to sub for the star — the first totally believable synthetic actress.

A drug dealer sells his soul to the devil to become the top drug dealer on the block.

In tiny Colewell, Pennsylvania, the residents gather at the post office for mail and gossip, while the days pass quiet and serene. That is until news comes that the office is to close, and beloved clerk Nora (a marvelous Karen Allen) is left to fight for her job and reflect on the choices she has made that kept her in Colewell for so many years. Touching, with a hint of melancholy, Tom Quinn’s eloquent film is an ode to small-town life and the quiet emotions that come with nostalgia and memories of the past. As fears arise around her future and her past becomes ever more present, Nora states, “I don’t want to be lonely,” but what that means is elusive. Colewell gorgeously captures rural America, while giving space to the beauty of time passing and reflecting on what determines a life well lived.

In the year of 2039, after World Wars destroy much of the civilization as we know it, territories are no longer run by governments, but by corporations; the mightiest of which is the Mishima Zaibatsu. In order to placate the seething masses of this dystopia, Mishima sponsors Tekken, a tournament in which fighters battle until only one is left standing.

On the run with the law on their trail, America’s most anguished vampire family heads to England to find an ancient vampire clan. What they find instead could tear their family, and their throats, apart forever.

A feature-length documentary about one of the most successful British bands in rock music.

A young boy wants to become a big shot but after seeing the bad things involved he instead chooses to pursue his passion that is singing, similar to his father.

A young man washes ashore, his memory gone – but his past comes back to haunt him after he is nursed back to health and his killing ability is needed when he takes on a powerful drug lord.

Joe carries around a rusty saw and a gasoline tank, he may or may not be a murderer but when he reads his poetry at the Limerick theatre, it affects people in all walks of life. Joe says there is no such thing as an un-interesting life.