Ivan Cohen is a young boy living in Palo Alto, California. Unsatisfied by his slacker group of friends, his love for a girl who doesn’t know he exist and a dysfunctional family life, he is struggling to find his place in the world. Based on the book Palo Alto by James Franco.

The film follows a trio of varsity baseball players as they enter their senior year of high school and navigate difficult choices on and off the field.

The Smiths — a family with a secret past — are visited by a sweet-talking southern gentleman who is looking for small town humanity. But they’ll soon find out that kindness towards strangers is not always rewarded, and the secretive stranger will find redemption does not always come easy.

In the late 1960s, C’est Si Bon is the music bar where every acoustic band’s dream lies. There Geun-tae, a naïve country boy, meets the young musical prodigies Hyung-joo and Chang-sik, and forms the band named after it — the C’est Si Bon Trio. As the three young artists bicker over their music, beautiful socialite Ja-young enters the picture and becomes their muse, and a series of moving love songs come from it. Geun-tae’s pure-heartedness wins Ja-young over but when she accepts a once-in-lifetime opportunity for a shot at an acting career, they part ways. After 20 years, the untold story of their love, song, and youth at C’est Si Bon is finally brought to light.

In an invisible territory at the margins of society, at the border between anarchy and illegality, lives a wounded community that is trying to respond to a threat: of being forgotten by political institutions and having their rights as citizens trampled. Disarmed veterans, taciturn adolescents, drug addicts trying to escape addiction through love, ex-special forces soldiers still at war with the world, floundering young women and future mothers, and old people who have not lost their desire to live. Through this hidden pocket of humanity, the door opens to the abyss of today’s America.

In 1976 a famous American writer Nathan Zuckerman is challenged by Czech immigrant Sisovsky who implores him to retrieve valuable manuscripts from communist Czechoslovakia. The writer accepts this dangerous mission, where his every step is observed by secret police. Once in Prague, he meets Sisovsky‘s flamboyant and wild ex-wife Olga who is in possession of the manuscripts. The evolving relationship between the hot-headed Olga and Nathan is a confrontation between two worlds – the repressed East and free West. But, Olga won‘t give up the manuscripts to Nathan so easily…

Two Jesuit priests travel to seventeenth century Japan which has, under the Tokugawa shogunate, banned Catholicism and almost all foreign contact.

After John’s absent father is struck by a stray bullet, Primo takes it upon himself to verse the young boy in the code of the streets—one founded on respect and upheld by fear. A member of the Bloods since the age of twelve—both in the film and in reality—the streets of Brooklyn are all Primo has ever known. While John questions whether or not to enter into this life, Primo must decide whether to leave it all behind as he vows to become a better husband and father. Set during those New York summer weeks where the stifling heat seems to encase everything, Five Star plunges into gang culture with searing intensity. Director Keith Miller observes the lives of these two men with a quiet yet pointed distance, carefully eschewing worn clichés through its unflinching focus. Distinctions between fiction and real life remain intentionally ambiguous, allowing the story of these two men to resonate beyond the streets, as they face the question of what it means to be a man.

A woman who is robbed on her way to catch the 1:30 train to Boston is left stranded in New York City. She meets a man who helps her during the course of the night and the two form a romance.

A witty, perceptive and devastating look at the personal agendas and suppressed revelations swirling among a group of gay men in Manhattan. Harold is celebrating a birthday, and his friend Michael has drafted some other friends to help commemorate the event. As the evening progresses, the alcohol flows, the knives come out, and Michael’s demand that the group participate in a devious telephone game, unleashing dormant and unspoken emotions.

The Limey follows Wilson (Terence Stamp), a tough English ex-con who travels to Los Angeles to avenge his daughter’s death. Upon arrival, Wilson goes to task battling Valentine (Peter Fonda) and an army of L.A.’s toughest criminals, hoping to find clues and piece together what happened. After surviving a near-death beating, getting thrown from a building and being chased down a dangerous mountain road, the Englishman decides to dole out some bodily harm of his own.

Ayiva recently left his home in Burkina Faso in search of a way to provide for his sister and his daughter. He takes advantage of his position in an illegal smuggling operation to get himself and his best friend Abas off of the continent. Ayiva adapts to life in Italy, but when tensions with the local community rise, things become increasingly dangerous. Determined to make his new situation work he attempts to weather the storm, but it has its costs.