This hybrid documentary follows Isabella Grosso, a survivor of childhood sexual abuse. In her quest to heal, Isabella discovered a sense of empowerment through dance and founded She-Is, a nonprofit combining the art of dance with therapy. As she embraces the experience of self-love through movement, we follow Isabella on an international journey to help other survivors of sexual abuse and sex trafficking find healing.

Momo is a cryptozoological Bigfoot-like creature reported to live in Missouri. It is described as having a large head and body all covered in fur that resembles shag carpeting, and emitting a terrible odor.

The inside story of three untrained British volunteers with no family connections to the Middle east who heed the call to take up arms with Kurdish fighters to reclaim Rojava from the Islamic State.

In an electric stand-up special, Deon Cole ponders romance, racist hotel showers, post-coital bedtime prayers and why he loves women of a certain age.

Five interwoven stories of remarkable courage from Nuremberg to Rwanda, from Darfur to Syria, and from apathy to action.

The sensational follow-up to “London in the Raw,” “Primitive London” sets out to reflect society’s decay through a sideshow spectacle of 1960s London depravity—and manages to outdo its predecessor. Here, we confront mods, rockers and beatniks at the Ace Café, cut some rug with obscure beat band The Zephyrs, smirk at flabby men in the sauna and goggle at sordid wife-swapping parties as we discover a pre-permissive Britain still trying to move on from the post-war depression of the 1950s.

A hybrid of memoir docudrama and narrative fantasy, A KADDISH FOR BERNIE MADOFF tells the story of Madoff and the system that allowed him to function for decades through the eyes of musician/poet Alicia Jo Rabins, who watches the financial crash from her 9th floor studio in an abandoned office building on Wall Street. Fueled by her growing obsession, real-life interviews transform into music videos, ancient spiritual texts become fevered fantasies of synchronized swimming, and a vivid, vulnerable work of art is born from the unique perspective of an artist watching the global financial collapse up close.

A documentary covering the 2008 Olympic Games in Beijing.

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A portrait of the lives of a disparate group of patrons and employees at an American watering hole today.

The Color Of Noise The Color of Noise is a full length documentary about the Artist Haze XXL (Tom Hazelmyer) and his notorious record label, Amphetamine Reptile Records. Throughout the 80’s and 90’s the label would achieve almost cult like status for being adventurous and daring in the midst of a time where “safe” punk rock would rule the airwaves with a newly accepted style of music by the mainstream college goers, Grunge. Though with AmRep, not only a roster of the most outrageous performers would find a home, but also a legion of poster artists who broke all of the rules. Armed with a computer and an aesthetic of bold imagery, an artist would emerge in Hazelmyer. This is an American mid-west story about a man who created his own path, far from the norm and how he brought along with him countless others who would achieve greatness by sheer proximity and participation. This is the true American underground.

Having faithfully served his South Melbourne parish for nearly four decades, the cantankerous, controversial Catholic provocateur affectionately called Father Bob is well known and loved, as much for his incorrigible media savvy and battles with Church hierarchy as for his staunch advocacy on behalf of the disadvantaged and disenfranchised. In Bob We Trust goes behind the scenes with Bob, documenting his everyday trials during one of the most turbulent times in his career: his forced retirement and eviction from the church he called home for 38 years.