Judaai (English: Separation) is a 1997 Indian Bollywood film starring Anil Kapoor, Urmila Matondkar and Sridevi who made her last appearance in this film and left the industry. This is the remake of 1994 Telugu film Subha Lagnam, which was in turn remade from the Kannada movie Ajagajantara (1991) starring Kashinath.

Everything changes for Eva when she receives an insurance settlement check accidentally made out for $5,000,000 instead of the expected $50.000. She and her best friend take the money and head out for the adventure of a lifetime.

A single mother in Madrid sees her only son die on his birthday as he runs to seek an actress’ autograph. Beside herself with grief, she returns to Barcelona to tell the boy’s father about the death of the son he never knew he had.

On the verge of despair at his overly controlled life, a repressed teenage geek attends a student conference where he picks up the thoughts of a rebellious, adolescent schizophrenic and realises that he is telepathic; but when he is kidnapped by a scientist engaged in unethical experiments, he must grow up, take the lead and enlist the help of this unlikely friend before he and other young telepaths are killed.

Thirteen-year-old David Kealoha dreams of escaping rural Hawaii. But when Jonah Morris, a white kid from Phoenix, Arizona moves into the neighborhood, tragedy strikes, irrevocably changing the trajectory of David’s life and those closest to him.

Salesman Willy Loman is in a crisis. He’s about to lose his job, he can’t pay his bills, and his sons Biff and Happy don’t respect him and can’t seem to live up to their potential. He wonders what went wrong and how he can make things up to his family.

A financial struggle between owners of a go-go club threatens its future.

Bertolt Brecht, a theatre revolutionary, poet of the state, outsider, looks back on his life in 1956, the year of his death, in East Berlin: from provocations in the Augsburg of the First World War, to the early poetic and amorous height flights in Munich and Berlin in the 1920s, his escape from Hitler and US exile, followed by his later years caught in a dilemma between timeless classic and a failing GDR class fighter, an inflexible free man and a compromised Artist.

Clay Foster is face to face with a griping situation. His wife is dead and he cannot accept it. He is in denial. The story starts in the midst of a tangled murder mystery. Clay’s wife was brutally murdered. How was she killed? Who killed her? The audience is forced to see the world as Clay does, through the eyes of a man traveling through the horrible stages of grieving; denial, anger, and finally acceptance, trying to solve the mystery of his murdered wife. As death comes upon all men, so does the Syphon. In clays diminutive state, his sanity brings him to rest very close at the veil between life and death. He is attune to the fragments and properties that join the two worlds, and being in such a state he is privy to witness and communicate with the beings that walk between them.

Goldie returns from five years at the state pen and winds up king of the pimping game. Trouble comes in the form of two corrupt white cops and a crime lord who wants him to return to the small time.

It’s the fall of 1985. The intertwining tales of three 5th grade friends, Chris, Joe and Ted, unfold in the suburban paradise of Palo Alto, as the threat of a mountain lion looms over the community.

Film version of Jacqueline Susann’s best-selling novel chronicling the rise and fall of three young ladies in show business.