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Shot like a documentary, the semi-improvised comedy Hoff The Record follows TV legend David Hasselhoff – playing a highly fictionalized version of himself – as he arrives in the UK in an attempt to reignite his flagging career. It’s been thirty years since he rose to worldwide fame in Baywatch and Knight Rider and things have since gone a little stale for The Hoff. Will a move across the Atlantic change his luck?
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Outgoing 13-year-old Sydney is on the fast track to growing up, despite the goodhearted efforts of her protective father, Max. As Sydney attempts to spread her wings and make more decisions for herself, Max does everything he can to rein her in and keep her his little girl. But in so doing, his mother, Judy, is reminded of his own antics at Sydney’s age, and the parallels — illustrated by comical flashback sequences starring a young Max — are both amusing and enlightening.
TripTank is Comedy Central’s newest animated experience, executive produced by ShadowMachine’s Alex Bulkley and Corey Campodonico. The weekly, eight-episode half-hour series, showcases a wide range of fast-paced, hard-hitting animated comedy shorts presented in an anthology style, weaving together stand-alone and recurring narrative pieces.
An LA family with serious boundary issues have their past and future unravel when a dramatic admission causes everyone’s secrets to spill out.
When over-the-top Amy enters Allison’s organized but imperfect life and claims to be her guardian angel, they form an unlikely friendship and Allison can’t be sure if Amy is actually an angel or just nuts.
Crash-landed alien Harry takes on the identity of a small-town Colorado doctor. Arriving with a secret mission, he starts off living a simple life…but things get a bit rocky when he’s roped into solving a local murder and realizes he needs to assimilate into his new world. As he does, he begins to wrestle with the moral dilemma of his mission and asking the big life questions like: “Are human beings worth saving?” and “Why do they fold their pizza before eating it?”
The Wayne is a high-rise apartment building in New York City. Ansi, Olly and his sister Saraline are friends who call themselves Team Timber, dedicated to exploring the ever-growing mysteries of “Wayne Phenomena” in the building they call home. All manner of action, adventure and otherworldly awesomeness could be right down the hall – or twelve floors up! You never know what’s in store behind a Wayne door
Follow the lives and loves of a group of thirtysomethings in a heart-warming comic drama as they try to find true love – or at least keep their relationships on track. In this wry and funny look at a generation which is as confused as it is liberated by the choices it faces, will the chill in their feet put out the passion that burns in their hearts?
Classic Saturday-morning cartoon series featuring magical blue elf-like creatures called Smurfs. The Smurfs, named for their personalities, inhabit a village of mushroom houses in an enchanted forest. These loveable creatures are led by Papa Smurf and live carefree… except for one major threat to their existance: Gargamel, an evil but inept wizard who lives in a stone-built house in the forest; and his feline companion, the equally nasty Azrael.
Andy Millman gave up his day job five years ago in the hope of achieving the big time, but he’s yet to land a speaking part, let alone saunter down the red carpet to pick up an Oscar. He remains optimistic however, as rubbing shoulders with the A-list on-set only serves to reinforce his belief that the big time is just a job or two away.
The Red Green Show is a Canadian television comedy that aired on various channels in Canada, with its ultimate home at CBC Television, and on Public Broadcasting Service stations in the United States, from 1991 until the series finale April 7, 2006, on CBC. The Red Green Show is essentially a cross between a sitcom and a sketch comedy series, and is a parody of home improvement, do-it-yourself, fishing, and other outdoors shows. Reruns currently air on CBC Television, The Comedy Network, and various PBS stations. It was produced by S&S Productions, which is owned by Steve and Morag Smith, and directed by William G. Elliott.
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