When she’s diagnosed with breast cancer, Brenda begins completing her bucket list with the help of the daughter she long ago put up for adoption.

While vacationing with a friend in Paris, an American girl is kidnapped by a gang of human traffickers intent on selling her into forced prostitution. Working against the clock, her ex-spy father must pull out all the stops to save her. But with his best years possibly behind him, the job may be more than he can handle.

Following the death of their friend, two girls in their late twenties embark on a road trip to spread his ashes. Seph and Alex take turns driving. Dan is in the glove compartment, in tupperware, decreasing in volume as the trip progresses.

Exiled artist and poet Mustafa embarks on a journey home with his housekeeper and her daughter; together the trio must evade the authorities who fear that the truth in Mustafa’s words will incite rebellion.

A between-the-sheets peek at Black Love and Sexuality

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Director Julian Schnabel illustrates the portrait of his friend, the first African-American pop artist Jean-Michel Basquiat who unfortunately died at a young age and just as he was beginning to make a name for himself in the art world. Alongside the biography of Basquiat are the artists and the art scene from early 1980’s New York.

A shy British teacher looks back nostalgically at his long career, taking note of the people touched his life.

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Jun-shik, who works for Tatsuo’s grandfather’s farm while Korea is colonized by Japan, dreams about participating in the Tokyo Olympics as a marathon runner. Tatsuo also aims to become a marathon runner, so the two become rivals. But the war breaks out and they both are forced to enlist in the army. Tatsuo becomes the head of defense in Jun-shik’s unit and he devises a scheme but fails. Jun-shik and Tatsuo are held captive by the Soviets. They run away but soon are captured by the Germans and forced to separate. In 1944, they meet again on the shores of Normandy.

Stunning, stylish neo-noir about choice and coincidence… and how they define the trajectory of life. Killian commits armed robbery, gets caught, serves 4 years, gets out and returns to his life. Then he meets a mysterious girl who changes everything.

North Africa, World War II. British soldiers on the brink of collapse push beyond endurance to struggle up a brutal incline. It’s not a military objective. It’s The Hill, a manmade instrument of torture, a tower of sand seared by a white-hot sun. And the troops’ tormentors are not the enemy, but their own comrades-at-arms.