Based on “Sister of the Road,” the fictionalized autobiography of radical and transient Bertha Thompson as written by physician Dr. Ben L. Reitman, ‘Boxcar’ Bertha Thompson, a woman labor organizer in Arkansas during the violence-filled Depression of the early ’30’s meets up with rabble-rousing union man ‘Big’ Bill Shelly and they team up to fight the corrupt railroad establishment.

On a March night in 1964, 37 neighbors in Queens, New York, witness the brutal murder of Kitty Genovese. None of them takes action or calls the police. 37 tells the story of a few of these people and what led up to the night when they unexplainably remained passive observers. The film is a convincing portrayal of a borough in change and a time characterized by racism, the Civil Rights Movement and political shifts. The actual event that inspired the film’s plot has been called a symbol for the moment when America lost its innocence. The director Puk Grasten skillfully weaves into her feature film debut various fates, dreams and family conflicts by leading us through an apartment building that comes to bear a collective failure.

In the wake of Pearl Harbor, a young lieutenant leaves his expectant wife to volunteer for a secret bombing mission which will take the war to the Japanese homeland.

A quantum physics professor is forced to take action after being drugged by the shaman of a Jewish cult who wants him to come back home and become the man he once was.

Tamar, an attractive single mother, lives alone in a small village with her two daughters. Unsatisfied, she attempts to fill her many voids through meaningless sexual rendezvous.

A writer goes to a vacation house to finish his book. But he develops a mental illness.

David, George, and Greg, best friends since high school, are “The War Boys”. They used to perch on the US-Mexican border, waiting to spot illegal immigrants who were trying to run into the United States. Sometimes, without a thought for the immigrants, the boys chased them across the wasteland and back across the border – just for fun. It was just one of those games boys played to make themselves feel big. But high school’s over now. David is unexpectedly home from his freshman year of college and the War Boys have been reunited.

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Undercover cop Jim Raynor (Jason Patric) is a seasoned veteran. His partner, Kristen Cates (Jennifer Jason Leigh), is lacking in experience, but he thinks she’s tough enough to work his next case with him: a deep cover assignment to bring down the notoriously hard-to-capture drug lord Gaines (Gregg Allman). While their relationship turns romantic during the assignment, they also turn into junkies, and will have to battle their own addictions if they want to bring down Gaines once and for all.

Julie (Vivica A. Fox) and her teenage daughter, Maddie, rent a beautiful house on several acres of land from Charles, a real estate agent they know well and who lives nearby. However, after they move in, strange noises and occurrences lead them to suspect someone else may be living on their property. Andres Londono, Dorian Gregory, Alaya Lee Walton, Tom Sandoval and Gina Hiraizumi also star.

More money flows through the family courts, and into the hands of courthouse insiders, than in all other court systems in America combined – over $50 billion a year and growing. Through extensive research and interviews with the nation’s top divorce lawyers, mediators, judges, politicians, litigants and journalists, DIVORCE CORP. uncovers how children are torn from their homes, unlicensed custody evaluators extort money, and abusive judges play god with people’s lives while enriching their friends. This explosive documentary reveals the family courts as unregulated, extra-constitutional fiefdoms. Rather than assist victims of domestic crimes, these courts often precipitate them. And rather than help parents and children move on, as they are mandated to do, these courts – and their associates – drag out cases for years, sometimes decades, ultimately resulting in a rash of social ills, including home foreclosure, bankruptcy, suicide and violence.

After the hot-tempered police detective Fei messes up yet another operation, he is transferred to a fictional department that houses all the useless staff the force couldn’t sack. There he finds a new enemy in the mild-mannered desk officer Johnny, who loathes Fei’s disregard for discipline. But when Fei’s father and Johnny’s mother coincidentally become an item, the new brothers must somehow learn to cohabit under the same roof.