An American couple (John Malkovich, Debra Winger) drift toward emptiness in postwar North Africa.

LEMON TREE meets JOHN LE CARRÉ in a subtle thriller set in Germany involving Mona, a Lebanese woman (Golshifteh Farahani), and Naomi, an Israeli Mossad agent (Neta Riskin) sent to protect their informant while recovering from plastic surgery for her new identity. Mona and Naomi – together for two weeks in a quiet apartment in Hamburg. A safe house. A shelter. No one saw what was coming, no one knew that this supposedly quiet fortnight would turn into an abyss and that shelter would need to be found elsewhere. The intimacy of the relationship that develops between the two women is exposed to the threat of terror that is engulfing the world today. In this game of deception, beliefs are questioned and choices are made that are not their own. And yet their fate takes a surprising turn in this suspense-laden, elegant neo-noir.

After the traumatic loss of her mother, a teenaged girl tries to uncover the dark secrets behind her new home, in spite of her father’s disbelief.

A couple of high school graduates spend one final night cruising the strip with their buddies before they go off to college.

Taylor is forced to hide the young daughter of a Colombian woman in witness protection who will be testifying against a powerful drug cartel in Federal Court, as ruthless sicarios aim to hunt them down.

Everyone knew Vicky White as a respected churchgoer, a loving daughter, and a trusted neighbor. But there was something missing in her life, and she thought she’d found it when she met convicted murderer Casey White.

Lifelong friends Lenny Sugarman (Dominic Chianese) and Ruben Liebner (Dick Latessa), both in their 70s, both dyed-in-the-wool New Yorkers, barely… Lifelong friends Lenny Sugarman (Dominic Chianese) and Ruben Liebner (Dick Latessa), both in their 70s, both dyed-in-the-wool New Yorkers, barely recognize the Manhattan of their youth. The city they’ve loved for decades has become a playground for the too-rich; their places, the ones they’ve frequented for years, are now refuges from a changing world they’re increasingly unable to keep up with. When Lenny—a lone schemer all his life—finally gets in over his head, he decides to seek the one thing he’s never had: true love. But to achieve it, he may have to abandon the only place he’s ever known.THE LAST NEW YORKER is a tale of friendship, love and the world’s greatest city — and how all three keep us young and make us feel alive.

A group of privileged students spend a night patrolling the prestigious Dhoultham school. However, it soon turns into the worst night of their lives as they face off against burglars, supernatural spirits and a deeper, darker evil. Directed by Russell England.

In 1951 New York poet Elizabeth Bishop travels to Rio de Janeiro to visit Mary, a college friend. The shy Elizabeth is overwhelmed by Brazilian sensuality. She is the antithesis to Mary’s dashing partner, architect Lota de Macedo Soares. Although frosty at first, the architect soon makes a play for Elizabeth and the poet finally succumbs to Lota’s advances. Mary is jealous, but unconventional Lota is determined to have both women at all costs. Their ménage à trois is thrown off balance when Lota starts work on her biggest project to date, designing Parque do Flamengo in Rio. Elizabeth accepts an academic teaching post in the USA and the women drift apart. Lota, at all other times brimming with self-confidence, is inconsolable. This eternal triangle plays out against the backdrop of the military coup of 1964. Bishop’s moving poems are at the core of a film which lushly illustrates a crucial phase in the life of this influential Pulitzer prize-winning poet

The moment these two saw each other at the café, they couldn’t take their eyes off each other. Their attraction was apparent and it seemed that destiny brought them together. As they got to know the other better, they found solace and comfort in each other’s company. But the security they found in each other soon started to shake when their different life paths take them to different directions. Despite the love they both still have for each other, one must choose to decide when to let go, even if the other is still holding on.

When a large Iranian-American family gathers in New York City for the patriarch’s heart transplant, a family secret is uncovered and catapults the estranged mother and daughter into an exploration of the past.

Hold Fast, Good Luck follows a transient relationship between a pair of contemporary twenty-somethings who find counterparts in one another while grappling with the question of what to do with their lives.