Bold and unsentimental in its portrait of a young man who faces the destruction of the family he struggles to support, Shuttle Life (Fen Bei Ren Sheng) marks a finely crafted feature debut for short-film director Tang Seng Kiat, focusing the spotlight on Malaysian cinema after a very long time in the dark. This hard-hitting social drama features naturalistic performances from pop singer and actor Jack Tan in the main role and Taiwanese actress-director Sylvia Chang as his mentally unstable mother
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A young politician finds himself in a position where he has to contest against his girlfriend, who is ambitious. Circumstances force his look-alike twin to also get involved in this political battle.
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On a small stretch of coastline as powerful as a man’s will, Rick Kane came to surf the big waves. He found a woman who would show him how to survive, and a challenge unlike any other.
Wild Is the Wind represents a (perhaps deliberate) reversal of the situation in The Rose Tattoo (1955). Whereas in Tattoo, Anna Magnani played a widow who could never find a man to measure up to her late husband, in Wind her character, Giola, marries widowed rancher Gino (Anthony Quinn), who is haunted by the memory of his first spouse. The situation is dicier in Wind, since Italian immigrant Gino’s deceased wife was Giola’s sister. Eventually tiring of her husband’s mood swings, Giola turns to his son, Bene (Anthony Franciosa), for emotional and sexual gratification. A Hollywood approximation of the Italian neorealist school of filmmaking, Wild Is the Wind was based on Furia, a story by Vittorio Nino Novarese. ~ Hal Erickson, Rovi
An eccentric drifter claiming to be Elvis Presley hitches a ride with a young man and they find themselves on an adventurous road trip to Memphis.
After the strange death of his young son at their new home, Daniel hears a ghostly plea for help, spurring him to seek out a renowned paranormal expert.
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